48 Results for : jurowski

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    Diese 7 CD-Box-Set enthält den ersten kompletten Zyklus der Tschaikowski-Symphonien, aufgenommen von Vladimir Jurowski und den Londoner Philharmonikern. Alle Aufnahmen stammen von Live-Konzertaufführungen.
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    Bartz, Erdmann, Pfeffer, Dewald, Lie, Chor & Orchester WDR, Michail Jurowski (Dir)
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    Gambill (Ten), Wolf Harden (Pno), Honda-Rosenberg, Banfield, SO Rundfunk Berlin, Michail Jurowski (Dir), PO Radio NDR Hannover, Seibel
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    Diese Veröffentlichung ist die 29. auf dem LPO-Label unter der Leitung von Vladimir Jurowski und ist die erste von Jurowski dirigierte Veröffentlichung von Richard Strauss bis heute.
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    Janine Jansen ist zurück!Das neue Album der »Queen of Downloads«. Begleitet vom London Philharmonic Orchestra unter der Leitung von Vladimir Jurowski hat Stargeigerin Janine Jansen in diesem Jahr das Violinkonzert Nr. 2 von Prokofiev aufgenommen sowie zwei kammermusikalische Werke des russischen Meisters: die expressive Sonate für 2 Violinen von 1932 mit Boris Brovtyn sowie die tragisch-dramatische Violinsonate Nr. 1 von 1938 / 46 mit Itamar Golan (Piano)
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    With his "fascinating musical personality and the bewitching beauty of his tone" (Frankfurter Allgemeine Zeitung), cellist Orfeo Mandozzi has captivated audiences throughout Europe, the USA, Canada, Asia and South America. Orfeo Mandozzi, born in Ticino Switzerland, made his debut as soloist as part of the Eurovision Young Musicians Competition. He has won first prizes at several international competitions such as the Johannes Brahms Competition and the UFAM Paris. Orfeo Mandozzi, now enjoying a busy career as a soloist, has worked closely with several leading cellists such as Mstislav Rostropovich, Yo Yo Ma, Paul Tortelier, Maurice Gendron and Harvey Shapiro. Bernard Greenhouse that, "he could be one of the leading cellists of our time". Orfeo Mandozzi's regular performing partners include Nikolaj Znaider, Julian Rachlin, and Yuri Bashmet. As soloist Orfeo Mandozzi performs with conductors such as Fabio Luisi, Kristjan Järvi and Michail Jurowski. Also a prolific recording artist, award panels have described his playing as "so captivating, one has to hold one's breath" (pizzicato). Orfeo Mandozzi has appeared in some of the world's finest concert halls, including the Carnegie Hall, Wigmore Hall, the Musikverein and the Teatro Colón. The cellist is also in demand as a regular guest at festivals such as the Jerusalem Chamber Music Festival, the Salzburg Festival, the Vienna Festwochen and the Lockenhaus Festival. His highly acclaimed recitals are much sought-after and Mstislav Rostropovich said about his performance of the Boccherini Sonata that, "he has the most beautiful Italian cantilena I have ever heard". On this album Orfeo Mandozzi plays on a cello made by Giovanni Grancino in 1710 (Milano), which belonged to the famous cellists Enrico Mainardi and Amedeo Baldovino.
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    "This is a performance of such distinction that regardless of one's personal view of the piece... it must be considered a prime contender for anyone's library... I cannot stress enough how effectively Jurowski conveys the ethereal 'natural world' beauty of the score... Icannot imagine a more revealing exposition of Mahler's instrumental colorations. Everything stands in such sharp relief." (Gramophone)
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    No description.
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    State Academic SO of Russia 'Evgeny Svetlanov' - Vladimir Jurowski (Dir) // Allein die Aussicht darauf, Alina Ibragimova mit zwei wichtigen Violinkonzerten zu hören, ist unwiderstehlich, Schostakowitsch-Liebhaber werden darüber hinaus die Gelegenheit besonders schätzen, den selten aufgeführten Originalbeginn der Burlesque von Nr.1 zu hören, der später auf Bitten des Widmungsträgers David Oistrach überarbeitet und für den Solisten weniger furchterregend gestaltet wurde.
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    Iain Farrington - Fiesta! This recording features four piano works of varying and disparate angles: jazzy, political, pictorial and private. It is music that aims to encompass many contrasting elements, from technical virtuosity to calm simplicity, from tunefully melodic to harshly dissonant, from lightweight fun to melancholic seriousness. Fiesta! Fiesta! Is music about celebrations and merry-making. In seven short movements, the mood is unashamedly joyous, ranging from wild excitement to intimacy. Despite the title, there are no Spanish elements in the music. It was composed and first performed in 2003. Celebration establishes the scene with it's jumpy, knock-about rhythms, and champagne-popping spirit. Lively natterings and gossipings of individuals are heard in Conversations, arguing and laughing about life. To get people on their feet, the Stride Dance launches a lively, bouncing rhythm in a Hammond organ style. A gentle Song relaxes the atmosphere before the pounding, foot-stomping rhythms of Fast Dance. As the festivities draw on, a bluesy Nocturne slackens the pace, with an improvisatory solo at the heart of the movement. Renewed energy is found in the Finale, a carefree fugue that breaks into a frantic dance. The celebrations are nearly brought to a premature conclusion by protestations from the neighbours, but this is a party that could go on and on... Mozart Variations The theme for this set of variations is Figaro's aria Non più andrai, from the end of Act One of Mozart's The Marriage of Figaro. Figaro tells Cherubino that he will no longer be chasing girls, but will be joining the army, marching to victory. The variations are heard as one continuous piece, and exploit the threatening military nature of the aria. Composed at the outbreak of the Iraq war in 2003, the work follows a path from playfulness to swaggering arrogance, through distant fanfares to violence and aggression, culminating in tolling bells and a hollow victory march. Animal Parade Animal Parade is a depiction of ten familiar animals, from the tallest to the fastest, the biggest to the nastiest. It is an affectionate caricature of wildlife, exploring the unusual characteristics of these creatures in an entertaining assortment of organ effects. The work includes an optional narration with verses for each animal by Esther Eidinow. It was composed and first performed in 2007, paired with Poulenc's Babar the Elephant. 1 - Entrance: The stage is set with a lively, rhythmic introduction, capturing a playful mood. 2 - Giraffes: A wide-ranging melody depicts the height and flexibility of the giraffe's long neck. Teetering on fragile thin legs, the piece tiptoes along gingerly. 3 - Barrel organ monkey: Raucous oom-pah off-key music is dispatched on the organ-machine with cold, grim humour. 4 - Hippopotamus: Wallowing in thick muddy water, this is the slow life of a hippo. 5 - Critics: A worthy addition to the menagerie. The music is suitably unoriginal: fatuous fanfares, sarcastic laughter and three distorted quotes from musical masterpieces that received a critical mauling at their premieres. 6 - Blue whale: The gentle heart of the whole set. From the depths of the sea a whale gently rises to the surface for air. 7 - Sparrows: Chirping and darting around the scene, the birds merrily sing to each other. 8 - Penguins: Shaking from the cold, the penguins march along, taking the occasional dive into the sea. 9 - Cheetah: With teeth showing, the cheetah embarks on a wild chase after a hapless prey. 10 - Piranhas: A tense, still atmosphere is interrupted by three bloody feasts. 11 - Alley cats: Slinky and low-down with a bluesy mood, proud cats wander the streets, tails held high. A brief encounter leaves one slightly scratched. 12 - Exit: The opening music is recalled and expanded, providing a happy conclusion to the grand show. Night Journey Night Journey was derived from a request in 2004 to compose some short, relatively simple piano pieces, from Grades 4 to 8 in standard. This grew into 24 miniatures of varying character, still restricted by the original parameters. Although quite straightforward in terms of harmonic and technical difficulty, these pieces explore a wide range of pianistic sounds and textures. The music is often highly expressive and essentially melancholic. It was written not only as a compositional challenge, but also as a way of lifting spirits. The work is loosely based on the key structure of Chopin's Preludes, progressing through each major key and it's relative minor: C major/A minor, G major/E minor, D major/B minor etc. There is also recurring and developed material in movements 1, 7, 13, 19 and 24, giving an overall shape to the work. Iain Farrington has an exceptionally busy and diverse career as a pianist, organist, composer and arranger. He studied at the Royal Academy of Music, London and at St John's College, Cambridge University. As a composer, Iain has written chamber, instrumental, vocal and choral works. He was a featured artist in Musical Opinion, described as 'a musician of exceptional promise and accomplishment...the melodic and harmonic aspects of his music, allied to a genuine creative character, combine to produce an output that is both modern and attractive.' Among notable successes include his suite Fiesta! Performed in the USA, Australia, New Zealand, Sweden, France, Germany, and across Europe and the UK, with several recordings available. Iain has arranged and performed over one hundred diverse works, from Mozart to Gershwin. He is Arranger-in-Residence for the Aurora Orchestra. His solo piano arrangement of Elgar/Payne Symphony No.3 is published by Boosey and Hawkes, and his transcription of Elgar's Five Piano Improvisations was recently published by Novello. His chamber orchestral version of Dvorák's Rusalka was performed across the UK by English Touring Opera. Iain has performed at the Wigmore Hall, Queen Elizabeth Hall, the Purcell Room, the Royal Opera House, and in Japan, South Africa, Jordan and all across Europe. He performed two solo organ works in the BBC Proms 2007 in the Royal Albert Hall, which the Independent described: "This was his Proms debut, and an exciting one. He's an authentic star, and deserves to have a Prom all to himself." He works with many of the country's leading singers and conductors, including Bryn Terfel, Lesley Garrett, Sir Simon Rattle and Sir Colin Davis. Iain is the accompanist for the London Philharmonic Choir, working regularly with Vladimir Jurowski and Kurt Masur. He gives frequent broadcasts on BBC Radio Three and has recorded numerous CD's as accompanist and soloist. He regularly gives solo piano recitals all across the UK, with his repertoire embracing contemporary, British and light music, and his own Farrington Ensemble has performed in festivals across the UK.
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