50 Results for : commercialism

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    This is an audiobook about UFOs, but with a difference. It is authored by someone who has worked with them and knows about them from the inside. Benjamin Creme sees the presence of UFOs as planned and of immense value for the people of Earth.According to Creme, the UFOs and the people in them are engaged in a spiritual mission to ease humanity's lot and to save this planet from further and faster destruction. Our own planetary hierarchy, led by Maitreya, the world teacher, now living among us, works tirelessly with our space brothers and sisters in a fraternal enterprise to restore sanity to this Earth. Creme shows how all the planets in our solar system are inhabited, but on physical levels beyond human sight, the so-called etheric planes. The spacecraft are constructed on the same principle; they too are in etheric matter and have complete control of energies in space. Our space brothers are responsible not only for crop circles, but also for preparing the way on Earth for a new technology of light that will give us unlimited power from the sun. When we banish war forever and are endeavoring to live in right relationship, that technology will be ours.For the spiritual hierarchy of both our own and the sister planets of our system, right human relationship involves the end of competition and the beginning of an era of cooperation, with sharing, justice, and freedom as its hallmarks.The audiobook also addresses the emergence of new and more inclusive forms of education, which will be needed as we experience a huge shift in consciousness and a growing awareness of the richness of life ahead, unfettered by the stranglehold of commercialism and the dominance of market forces.According to the author, the truth will soon be apparent for all to see, awakening humanity to their own divinity and the establishment of the rule of spiritual law on Earth. ungekürzt. Language: English. Narrator: Jessica Webster. Audio sample: https://samples.audible.de/bk/acx0/123159/bk_acx0_123159_sample.mp3. Digital audiobook in aax.
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    • Price: 9.95 EUR excl. shipping
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    Johnny Cash, "The Man in Black", is among the most recognized and iconic vocal artists in the history of blues, country and gospel singing. During the second half of the 20th century, he produced a prolific and rarely-equaled career in the country genre as a singer, songwriter and guitarist, despite numerous struggles with alcohol and drug addiction. His trademark bass-baritone voice is instantly identifiable to listeners today, and his "parlando" style (combining an unaffected singing tone with a speech-like rhythm and pacing) has been taken up by the generation following his death in the early 21st century. Like Elvis Presley and other renowned artists who would later gather at Sun Records in Memphis during the 1950s, Johnny Cash emerged from the South and its blues and gospel traditions, and although his path to discovery took a more circuitous route, he came to join the biggest stars of his era, leaving a lasting mark on the industry and on American culture in the process. By the end of his life, Cash and his legendary voice of "emotional authority" had been inducted into the Country Music Hall of Fame, the Rock n' Roll Hall of Fame, the Gospel Music Hall of Fame, the Nashville Songwriters Hall of Fame, and the Rockabilly Hall of Fame, in addition to numerous other honors. Cash accomplished all of this despite holding a life-long "distaste for the Nashville mainstream," which he believed was heading the wrong direction into ultra-commercialism. Nevertheless, over the span of a nearly 50 year career, Johnny Cash sold over 50 million albums and toured most of the world. While Cash's career spanned half a century and produced a voluminous amount of music, later generations have come to know Johnny Cash more for his rebellious attitude and his unrepentant way of life. Even as he was producing hits, he was burning himself up, admitting he "tried every drug there was to try", and on numerous occasions his alcohol and drug addictions nearl ungekürzt. Language: English. Narrator: Scott R. Pollak. Audio sample: https://samples.audible.de/bk/acx0/034845/bk_acx0_034845_sample.mp3. Digital audiobook in aax.
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    • Price: 9.95 EUR excl. shipping
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    Ethics Medical Research and Medicine - Commercialism versus Environmentalism and Social Justice. Auflage 2001: ab 128.49 €
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    • Price: 128.49 EUR excl. shipping
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    Unpaid Professionals - Commercialism and Conflict in Big-Time College Sports: ab 67.99 €
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    • Price: 67.99 EUR excl. shipping
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    An All-Consuming Century - Why Commercialism Won in Modern America: ab 33.99 €
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    • Price: 33.99 EUR excl. shipping
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    College Sports Inc. - How Commercialism Influences Intercollegiate Athletics: ab 58.99 €
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    • Price: 58.99 EUR excl. shipping
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    Fractured Profession - Commercialism and Conflict in Academic Science: ab 38.99 €
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    • Price: 38.99 EUR excl. shipping
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    Dance Music Spaces - Clubs Clubbers and DJs Navigating Authenticity Branding and Commercialism: ab 45.99 €
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    • Price: 45.99 EUR excl. shipping
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    The second album by Facts Aktor & The Analysis is a more than worthy followup to the excellent debut CD 'Divisions In The Soil'. A bit more driving and compact than the first, it once again features witty and thought provoking lyrics with catchy hooks. The subject matter ranges from night women to a sarcastic view of the college life to the perils of being caught up in the maze of crass commercialism. However, personal sides come forward also such as in the poppy radio friendly track 'Forever' which is about Fact's young daughter, '(No More) Thoughts Of Homicide' and 'Bad Master' which take on topics such as racism and prejudice and face them squarely, and the majestic closing track 'Cruel' which although it would probably fall into the 'power ballad' category, is absolutely infectious and probably Fact's strongest track to date. Once again, all of the 10 songs are originals and were recorded at the same studio as the debut.
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    • Price: 16.76 EUR excl. shipping
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    This album is a lifelong dream for me. I once dreamed of making a career in music, but chose a different path. I am sure I chose the right one, as I have no regrets. Now I realize and appreciate that I am free to express my feelings as a true labor of love. The old conflict between commercialism and art does not exist for me. If my music has a commercial feel, it is only the product of my own experiences and tastes, not the edict of someone else. But don't get me wrong. I don't create for myself alone. I truly hope that my music will be enjoyed by the people who hear it. My mother, Barbara A. Wood, is a famous impressionist painter, and I have seen the joy she has provided countless owners and admirers of her work. Art is to be shared. Several of the songs on this album are collaborations with two other writers, Neil Scanlan and John Kayden. I met Neil when I worked at an advertising agency in Dallas back in the 70's. He is very creative. He is now applying his talent to painting, though he occasionally sends me new lyrics to work on. We have created two musical comedy plays which we hope to bring to life in the future. John and I grew up together in grade school. We reunited as adults back in the 70's to collaborate on many of my first attempts at songwriting. The following are some notes on some of the songs on the album: LOVERS STILL: This song, as many of mine, is inspired by the love of my life, my wife and life partner, Heba. We have shared so much, as we always will. COMPASSION: This song is particularly poignant at this time in history. It is a plea to humanity, futile though it seems, for greater love and understanding toward each other. I SAW GOD WASH THE WORLD: I wrote the melody to a poem my mom used to read to me as a child. She read me much poetry, especially at bedtime. The poem is by William L. Stidger, a preacher and writer, who published a book of his works in 1934. I memorized it when I was young, and it has always stuck with me. KEEP ON GAZING: This was written when Heba and I lived in Dallas, just after we were married in 1975. She has wonderful green eyes . . . LOVELY VISION: I traveled much during my working career as an advertising consultant. I was away from home a great deal and missed a lot of the everyday life of Heba, my daughter, Piper and my son, Zack. I wrote this song while looking out the window of a plane at sunset somewhere over Arizona, on my way home from a business trip in Dallas. AS IF ZACK WROTE IT: This song is about my son, Zack. His mom and I have watched him grow up with Autism from the time he was a baby. He is now a young man. He has enriched the lives of our family as we have seen him face his special challenges. I wrote this song in an attempt to express some of the feelings he must have deep down but cannot bring out in his own words. So ultimately, this song is about the hope we all share with him as he seeks meaning and happiness in his life. NO HEAVEN WITHOUT YOU: This is another love song inspired by Heba. It is Piper's favorite. Some people I would like to acknowledge are: Rick Cuhna, the producer. Rick guided this project from start to finish. He is so multi-talented! He is truly a phenomenon of right brain and left brain abilities. He helped with song structure, arrangements, and played guitar. He also amassed an amazing group of musicians, coached my vocals, engineered like a wizard and provided some of the best espresso I've ever had! I am blessed to have met him and to call him my friend. Doug Livingston did most of the arranging, and played Piano, Steel and Dobro guitar, as well as Accordion. I am in awe of Doug. It is hard to describe the feeling of wonderment when something I have written is brought to life. My mom, Barbara A. Wood, is a very renowned impressionist artist. She has always felt that color is the music of painting. I asked her to create the cover art for Shades of Passion, and she captured it beautifully. Juli Wood Philips, my sister, is a very good graphic artist. She was inspired to create an interpretive video of the song, 'AS IF ZACK WROTE IT'. It is very moving. It is up on YouTube. Dan Chapman masterfully designed the album package and directed the photo shoot. He is such a multi-talented professional--creative, inventive, sensitive, competent and warm. And finally, I thank all the musicians who helped with this project: Dough Livingston (Piano, Steel and Dobro guitars, Synth parts). David Jackson and Simeon Pillich (bass), Bill Severance, Debra Dobkin and James Cruse (drums), Candy Gerard and Sai-Ly Acosta (violin), Briana Bandy (viola), John Acosta (Cello), Gary Herbig (oboe and flute) and Rosemary Butler (background vocals).
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    • Price: 25.49 EUR excl. shipping


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