Objectified

Performing the Wound (eBook, ePUB)

This book offers a matrixial, feminist-centered analysis of trauma and performance, through examining the work of three artists: Ann Hamilton, Renée Green, and Cecilia Vicuña. Each artist engages in a multi-media, or "combination" performance practice; this includes the use of site, embodied performance, material elements, film, and writing. Each case study involves traumatic content, including the legacy of slavery, child sexual abuse and environmental degradation; each artist constructs an aesthetic milieu that invites rather than immerses-this allows an audience to have agency, as well as multiple pathways into their engagement with the art. The author Niki Tulk suggests that these works facilitate an audience-performance relationship based on the concept of ethical witnessing/wit(h)nessing, in which viewers are not positioned as voyeurs, nor made to risk re-traumatization by being forced to view traumatic events re-played on stage. This approach also allows agency to the art itself, in that an ethical space is created where the art is not objectified or looked at-but joined with. Foundational to this investigation are the writings of Bracha L. Ettinger, Jill Bennett and Diana Taylor-particularly Ettinger's concepts of the matrixial, carriance and border-linking. These artists and scholars present a capacity to expand and articulate answers to questions regarding how to make performance that remains compelling and truthful to the trauma experience, but not re-traumatizing. This study will be of great interest to students and scholars of performance studies, art history, visual arts, feminist studies, theatre, film, performance art, postcolonialism, rhetoric and writing.

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Price: 32.95 EUR excl. shipping

Performing the Wound (eBook, PDF)

This book offers a matrixial, feminist-centered analysis of trauma and performance, through examining the work of three artists: Ann Hamilton, Renée Green, and Cecilia Vicuña. Each artist engages in a multi-media, or "combination" performance practice; this includes the use of site, embodied performance, material elements, film, and writing. Each case study involves traumatic content, including the legacy of slavery, child sexual abuse and environmental degradation; each artist constructs an aesthetic milieu that invites rather than immerses-this allows an audience to have agency, as well as multiple pathways into their engagement with the art. The author Niki Tulk suggests that these works facilitate an audience-performance relationship based on the concept of ethical witnessing/wit(h)nessing, in which viewers are not positioned as voyeurs, nor made to risk re-traumatization by being forced to view traumatic events re-played on stage. This approach also allows agency to the art itself, in that an ethical space is created where the art is not objectified or looked at-but joined with. Foundational to this investigation are the writings of Bracha L. Ettinger, Jill Bennett and Diana Taylor-particularly Ettinger's concepts of the matrixial, carriance and border-linking. These artists and scholars present a capacity to expand and articulate answers to questions regarding how to make performance that remains compelling and truthful to the trauma experience, but not re-traumatizing. This study will be of great interest to students and scholars of performance studies, art history, visual arts, feminist studies, theatre, film, performance art, postcolonialism, rhetoric and writing.

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Price: 32.95 EUR excl. shipping

This Will Be My Undoing: Living at the Intersection of Black, Female, and Feminist in (White) America , Hörbuch, Digital, ungekürzt, 425min

From one of the fiercest critics writing today, Morgan Jerkins' highly anticipated collection of linked essays interweaves her incisive commentary on pop culture, feminism, black history, misogyny, and racism with her own experiences to confront the very real challenges of being a black woman today - perfect for fans of Roxane Gay's Bad Feminist, Rebecca Solnit's Men Explain Things to Me, and Chimamanda Ngozie Adichie's We Should All Be Feminists. Morgan Jerkins is only in her 20s, but she has already established herself as an insightful, brutally honest writer who isn't afraid of tackling tough, controversial subjects. In This Will Be My Undoing, she takes on perhaps one of the most provocative contemporary topics: What does it mean to "be" - to live as, to exist as - a black woman today? This is a book about black women, but it's necessary listening for all Americans. Doubly disenfranchised by race and gender, often deprived of a place within the mostly white mainstream feminist movement, black women are objectified, silenced, and marginalized, with devastating consequences, in ways both obvious and subtle that are rarely acknowledged in our country's larger discussion about inequality. In This Will Be My Undoing, Jerkins becomes both narrator and subject to expose the social, cultural, and historical story of black female oppression that influences the black community as well as the white, male-dominated world at large. Whether she's writing about Sailor Moon; Rachel Dolezal; the stigma of therapy; her complex relationship with her own physical body; the pain of dating when men say they don't "see color"; being a black visitor in Russia; the specter of "the fast-tailed girl" and the paradox of black female sexuality; or disabled black women in the context of the "Black Girl Magic" movement, Jerkins is compelling and revelatory. ungekürzt. Language: English. Narrator: Morgan Jerkins. Audio sample: https://samples.audible.de/bk/harp/006480/bk_harp_006480_sample.mp3. Digital audiobook in aax.

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Price: 9.95 EUR excl. shipping

Body of Stars

Now in paperback, from debut novelist Laura Maylene Walter, a bold and dazzling exploration of fate and female agency in a world very similar to our own-except that the markings on women's bodies reveal the future Perfect for fans of Leni Zumas's Red Clocks and Naomi Alderman's The Power, Body of Stars is a unique and timely exploration of girlhood, womanhood, and toxic masculinity. A piercing indictment of rape culture, it is an inventive and urgent read about what happens when women are objectified and stripped of choice-and what happens when they fight back. Celeste Morton has eagerly awaited her passage to adulthood. Like every girl, she was born with a set of childhood markings-the freckles, moles, and birthmarks on her body that foretell her future and that of those around her-and with puberty will come a new set of predictions that will solidify her fate. The possibilities are tantalizing enough to outweigh the worry that the future she dreams of won't be the one she's fated to have and the fear of her "changeling period": the time when women are nearly irresistible to men and the risk of abduction is rife. Celeste's beloved brother, Miles, is equally anticipating her transition to adulthood. As a skilled interpreter of the future, a field that typically excludes men, Miles considers Celeste his practice ground-and the only clue to what his own future will bring. But when Celeste changes, she learns a devastating secret about Miles's fate: a secret that could destroy her family, a secret she will do anything to keep. Yet Celeste isn't the only one keeping secrets, and when the lies of brother and sister collide, it leads to a tragedy that will irrevocably change Celeste's fate, set her on a path to fight against the inherent misogyny of fortune-telling, and urge her to create a future that is truly her own.

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Price: 16.99 EUR excl. shipping

New Retro Illustrations

This book bearing the title of "New Retro" is a collection of illustrations by artists whose style is inspired primarily by the manga comics and anime of the 1980s and '90s. With its distinctive vivid neons, and pale pastel hues, theirs is a style that is easy to spot. Other clues are lightly drawn lines, the design qualities of the hand-drawn lettering, and motion lines, all stemming from shoujo (girls') and seinen (men's) manga. The artists' choice of motifs is another delight: locations, and clothing for their characters, redolent of the Showa era, or recalling the heady years of the "bubble" economy. Experimenting with this style has been especially noticeable since the 2010s. It is clearly distinguishable from the computer-game-like design, and bishoujo anime featuring cute young girls, that gained popularity from 2000 onward as "otaku" style. That is to say, it references an earlier time. Retro crazes that revive styles and formats from the past occur frequently, and are fundamentally based on nostalgia, i.e. a yearning or admiration for a long-gone era. Yet this "New Retro" is somewhat different in aspect. Obviously, the artists in question do each harbor a certain fondness for the past. Was Japan really a place of such excess in the bubble era, the later Showa years? These artists bring to life in their pictures what is now virtually the stuff of legend. Yet among all the decorative delights, they deliberately mix in other elements, things that were not there in the past, strictly speaking were suppressed, whether that be a certain sort of eroticism, violence, psychological freedom...or apathy. First and foremost though, they are simply cherry-picking agreeable bits from the archives, so to speak, in a trend unmistakably connected with the now standard use of the likes of pixel art and synthwave in the gaming world. The late Showa and bubble years have become objectified, allowing artists to make choices with a neutral mindset, their options widened by the scope and spread of the internet. This style is now moving beyond a boom to become properly established, which suggests there is more to it than mere generational nostalgia. And therein lies the significance of the "New" Retro. Sayawaka Critic / author of manga

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Price: 27.99 EUR excl. shipping

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Price: 22.69 EUR excl. shipping