33 Results for : sinuous

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    The place is Ceylon, the time the 1930s. Set amid tea plantations, decay and corruption, this sinuous, subtle, surprising novel is a masterly evocation of time and place, of colonialism and the backwash of empire. It is the story of an embittered Ceylonese lawyer, Sam Obeysekere himself a product of empire - 'obey' by name and by nature - and of a family that once had wealth and influence but starts to crack open when Sam's charismatic father dies leaving gambling debts, an ex-beauty of a wife, an unstable daughter and an inadequate son. But the writing has been on the wall for a generation, ever since another sibling died in his cot- And at the heart of the novel is the Hamilton Case, a 'White Mischief' murder scandal that shakes the upper echelons of the island's society. Sam's involvement in it makes his name but paradoxically ensures that he will never achieve his ambition. A miracle of delicacy and restraint, full of volte faces, and narrated with perfect pitch in a voice that catches both the tragedy and comedy of their situation, this is a gripping, nuanced tale of the end of an era, suffused with 'the unbearable thought that everything might have turned out differently'. ungekürzt. Language: English. Narrator: Sam Dastor. Audio sample: https://samples.audible.de/bk/rhuk/001001/bk_rhuk_001001_sample.mp3. Digital audiobook in aax.
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    Dorothy Carvello knows all about the music biz. She was the first female A&R executive at Atlantic Records and one of the few in the room at RCA and Columbia. But before that, she was secretary to Ahmet Ertegun, Atlantic’s infamous president who signed acts like Aretha Franklin and Led Zeppelin, negotiated distribution deals with Mick Jagger, and added Neil Young to Crosby, Stills & Nash. The stories she tells about the kingmakers of the music industry are outrageous, but it is her sinuous friendship with Ahmet that frames her narrative. He was notoriously abusive, sexually harassing Dorothy on a daily basis. Still, when he neared his end, sad and alone, Dorothy had no hatred toward him - only a strange kind of loyalty. Carvello reveals here how she flipped the script and showed Ertegun and every other man who tried to control her that a woman can be just as willing to do what it takes to get a hit. Featuring never-before-heard stories about artists like Michael Jackson, Madonna, Steven Tyler, Bon Jovi, INXS, Marc Anthony, Phil Collins, and many more, this audiobook is a must-hear for anyone who has ever wondered what it's really like to be a woman in a male-dominated industry. ungekürzt. Language: English. Narrator: Traci Odom. Audio sample: https://samples.audible.de/bk/adbl/050885/bk_adbl_050885_sample.mp3. Digital audiobook in aax.
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    All things are composed of patterns.... And within the pattern of the realm of Alorin, three strands must cross. In Alorin...300 years after the genocidal Adept Wars, the realm is dying, and the blessed Adept race dies with it. One man holds the secret to reverting this decline: Bjorn van Gelderan, a dangerous and enigmatic man whose shocking betrayal three centuries past earned him a traitor's brand. It is the Adept Vestal Raine D'Lacourte's mission to learn what Bjorn knows in the hope of salvaging his race. But first he'll have to find him.... In the kingdom of Dannym...the young Prince Ean val Lorian faces a tenuous future as the last living heir to the coveted Eagle Throne. When his blood brother is slain during a failed assassination, Ean embarks on a desperate hunt for the man responsible. Yet his advisors have their own agendas, and his quest for vengeance leads him ever deeper into a sinuous plot masterminded by a mysterious and powerful man, the one they call First Lord. In the Nadori desert...tormented by the missing pieces of his life, a soldier named Trell heads off to uncover the truth of his shadowed past. But when disaster places him in the debt of Wildlings sworn to the First Lord, Trell begins to suspect a deadlier, darker secret motivating them. ungekürzt. Language: English. Narrator: Nick Podehl. Audio sample: https://samples.audible.de/bk/podm/000262/bk_podm_000262_sample.mp3. Digital audiobook in aax.
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    Philip Yancey has a way of confronting our most cherished - but misguided - notions about the Christian life. In The Bible Jesus Read, Yancey challenges the perception that the New Testament is more important than the Old, that the Hebrew Scriptures aren't worth the time they take to understand them. Writing as always with keen insight into the human condition and God’s provision for it, Yancey debunks this theory once and for all. Yes, he agrees, the Old Testament can be baffling, boring, and even offensive to the modern listener. But as he personally discovered, the Old Testament is full of rewards for the one who embraces its riches.With his candid, signature style, Yancey unfolds his interactions with the Old Testament from the perspective of his own deeply personal journey. From Moses, the amazing prince of Egypt, to the psalmists' turbulent emotions and the prophets' oddball rantings, Yancey paints a picture of Israel's God - and ours - that fills in the blanks of a solely New Testament vision of the Almighty.As he reconnects for us the strong, sinuous chords that bind the Old and New Testaments, Yancey reclaims the Reformers' deep sense of unity between the two. Most important, he says, listening to the Scriptures that Jesus so revered gives believers a profound new understanding of Christ, the Cornerstone of the new covenant. "The more we comprehend the Old Testament," Yancey writes, "the more we comprehend Jesus."  ungekürzt. Language: English. Narrator: Maurice England. Audio sample: https://samples.audible.de/bk/zond/002948/bk_zond_002948_sample.mp3. Digital audiobook in aax.
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    Philip Yancey has a way of confronting our most cherished - but misguided - notions about the Christian life. In The Bible Jesus Read, Yancey challenges the perception that the New Testament is more important than the Old, that the Hebrew Scriptures aren't worth the time they take to read and understand them. Writing as always with keen insight into the human condition and God’s provision for it, Yancey debunks this theory once and for all. Yes, he agrees, the Old Testament can be baffling, boring, and even offensive to the modern reader. But as he personally discovered, the Old Testament is full of rewards for the one who embraces its riches.With his candid, signature style, Yancey unfolds his interactions with the Old Testament from the perspective of his own deeply personal journey. From Moses, the amazing prince of Egypt, to the psalmists' turbulent emotions and the prophets' oddball rantings, Yancey paints a picture of Israel's God - and ours - that fills in the blanks of a solely New Testament vision of the Almighty.As he reconnects for us the strong, sinuous chords that bind the Old and New Testaments, Yancey reclaims the Reformers' deep sense of unity between the two. Most important, he says, reading the Scriptures that Jesus so revered gives believers a profound new understanding of Christ, the Cornerstone of the new covenant. "The more we comprehend the Old Testament," Yancey writes, "the more we comprehend Jesus." Language: English. Narrator: Philip Yancey. Audio sample: https://samples.audible.de/bk/zond/000084/bk_zond_000084_sample.mp3. Digital audiobook in aax.
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    Dark, magical and unsettling, Folk is a debut of breathtaking imagination which introduces the remote, unforgiving island of Neverness and its singular inhabitants. Take a torch, the last to be lit, and follow the jostle of fat, spitting lights as the men and women of Neverness spread out along the gorse edge. Every year they gather while the girls shoot their arrows and the boys hunt them out. The air is riddled with spiteful shadows - the wounds and fears and furies of a village year. The gorse burning will smoke them out, cleanse the air for another season's turning. On a remote and unforgiving island lies a village unlike any other. In Neverness a girl might be snatched by a water bull and dragged to his dark lair, and Jack Frost can take his chilling revenge on a jealous sister. A babe is born with a wing for an arm, and children ask their fortunes of an oracle ox. The beliefs and rituals of the islanders conjure their own dark spirits, flying with the red kites at night or stalking lustful boys through the gorse maze. While the villagers live out their own tales, magic always lurks, blighting and blessing lives in equal measure. Folk is a dark, sinuous and unforgettable debut which takes place over the course of one generation of islanders. As each chapter unfolds, the folklore of Neverness is as tangible as its rocky shore, its deep woods and its gorse-prickled headland. In this world remote from our time and place, the tales of the islanders interweave and overlap, cloaked in threat, twisting fates and changing lives. ungekürzt. Language: English. Narrator: Penelope Rawlins. Audio sample: https://samples.audible.de/bk/adbl/030520/bk_adbl_030520_sample.mp3. Digital audiobook in aax.
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    Will Murray's Pulp Classics, Terror Tales -Wyatt Blassingame, Book 3In 1934, a new type of magazine was born. Known by various names - the shudder pulps, mystery-terror magazines, horror-terror magazines - weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This audiobook contains a collection of stories from the pages of Terror Tales magazine, all written by Wyatt Blassingame, reissued for today’s listeners in electronic format. Table of Contents: Terror Tales: An Introduction by Will Murray "Satan Sends a Woman": January 1936 issue of Terror Talesby Wyatt Blassingame The man who had never known fear shrieked and groveled in the snare of the girl who was more beautiful than life - more horrible than death! "Forest of Fear": February 1936 issue of Terror Tales by Wyatt Blassingame In his veins throbbed the dread command no man is strong enough to disobey! "Gods Never Die": May 1936 issue of Terror Tales by Wyatt Blassingame Dave McDermond little dreamed that he was challenging a hell-born power capable of shaking the Earth! "We Danced With Death": July-August 1936 issue of Terror Tales by Wyatt Blassingame The gleaming, sinuous bodies of the dancers writhed in paroxysms of blazing passion - and as they watched, Dave Archer and the girl he loved were all unknowingly being enslaved to the forces of hell conjured up by Satan’s dark mistress! "Passion Flower": Sept-Oct 1936 issue of Terror Tales by Wyatt Blassingame Only those ominously luxurious orchids could reveal to Tom Blade the place from whence came the gorg ungekürzt. Language: English. Narrator: Michael C. Gwynne, Joey D'Auria, Nicholas Camm, John Doyle. Audio sample: https://samples.audible.de/bk/acx0/007377/bk_acx0_007377_sample.mp3. Digital audiobook in aax.
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    Roméo Monteiro (Airmachine) - Daniel Kawka & Ondrej Adámek (Dir) // Adámek verleibt jeden Schöngeist ein, dessen Weg er kreuzt. Seine Werke offenbaren all diese Einflüsse und versehen sie mit einer sehr individuellen Klangfarbe, die in Kombination mit einem kraftvollen rhythmischen Sinn und einer soliden und formalen Architektur eine äußerst persönliche Musik hervorbringt, die keineswegs frei von Dramaturgie ist.
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    New and original things are always tough to describe. The urge to classify is comforting, perhaps necessary. Is it chamber-jazz? Or some kind of indie alternative rock? What about new wave improvisation? Frankly, I can't tell you. First and foremost, there is Ila Cantor's guitar. Cantor is a deep guitarist, her pick and strum and pluck equally resonant with classical Spain and hardcore rock, gypsy jazz and the cool touch of masters like Jim Hall. Creature is a strikingly pure guitar album: pure, but definitely not purist. There are effects, electronics. How could there not be, so many decades after Charlie Christian and Jimmy Hendrix and Robert Fripp? True to her moment in the history of the instrument, Cantor makes her guitar speak with a vocabulary replete and plangent, echo and call and foray into the unknown. No less definitive are Cantor's compositions: deliberate, almost stately in their postulation of theme, classical in their restraint - until they turn in sinuous development and break out in meticulous rhythmic discord, progressing not only harmonically but sonically, always coherent and shaped by a craft both measured and luxuriant. Like her guitar Cantor's writing embraces rather than fuses diverse musical forms. It is an unhyphenated music all her own. And then there is Cantor's trio, with Matt Brewer on upright bass and Tommy Crane on drums. The responsiveness - the back and forth of swelling and receding sound and percussive counter-rhythm, the absolutely assured foundation across which Cantor weaves her beguiling motifs and riffs and lines - is thrilling. This is a tight risk-taking trio, an organism that adapts impressively with every sonic bud and bloom. Why Creature? But else what do you call an animal, a living breathing vital thing that as yet has no name? This is indeed living vital emergent music. Before we try to name it, listen.
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    Simon Thacker and The Nava Rasa Ensemble is a nine piece virtuoso ensemble innovating on the meeting of Asian and Western cultures. Nada Ananda features the world première recordings of major guitar led works by Shirish Korde, an Indian composer who has forged a compelling and distinctive voice in the West with his native music as a basis, and Nigel Osborne, a great Western composer profoundly influenced by Indian music, for an all star nine piece instrumental ensemble made up of leading performers from both cultures. Acclaimed as 'a mesmerising melding of old and new, Indian and Western' (The Classical Review) and 'a bold and highly successful project that fuses imaginative improvisation and virtuosity within a compelling sequence' (The List), The Nava Rasa Ensemble's Nada-Ananda album release has been acclaimed across the world and features nine musicians of the highest calibre representing three continents: Simon Thacker on guitar, Carnatic (South Indian) violinist Jyotsna Srikanth, Hindustani (North Indian) tabla master Sarvar Sabri, Scotland's leading string quartet the Edinburgh Quartet, Brazilian bass dynamo Mario Caribé and renowned multi-percussionist Iain Sandilands. Shirish's Nada Ananda ['the joy of sound'] concerto for guitar and chamber ensemble, is in three movements. The first movement is in the style of a North Indian Alap and the guitar writing the explores the expressive possibilities and colours of the instrument, combining the ornamentations and figurations of the sitar with the timbre of the classical guitar. The first and the second movement are based on the raga Lalit which, according to Indian music theory, is generally played at daybreak. The third movement, Joy, sees extended cadenzas for the guitar, Indian violin and tabla lead to an explosive climax for the whole ensemble. Nigel's The Birth of Naciketas for guitar concertante is based on an episode in the Upanishads where Naciketa's mother dies in childbirth and his father makes a bargain with Death to save his son's life. The work is based on the ten thaats, or scale patterns, which are considered by many to have been the forerunners of the raags of Indian classical music. The piece's ten sections correspond to the tenthaats in a 24-hour cycle related to the times of day associated with the scale patterns. These ten sections fall into five main movements. The Birth of Naciketas continues Nigel's search for an Indian classical modernism. What the critics said: Classical Music Sentinel 'The musicianship on this recording is quite remarkable. Guitarist Simon Thacker transcends the instrument and persuades it to produce music loaded with subtle nuances and character... A veritable melting pot of styles and influences that have truly merged into one.' The List 'Shirish Korde's Nada-Ananda concerto allows classical guitarist Simon Thacker ...to show just how invigorating music can be when it draws it's sensibilities from a host of styles, releasing it from the inhibitions of genre pigeon-holing.' Music Web International 'I was deeply impressed by this disc - not just by the undeniably high standard of musicianship throughout, but also by the fascinating, accessible and interesting compositions, which demonstrate that successful collaboration between Eastern and Western music is, indeed, possible.' The Classical Review 'What particularly impresses is the sheer cohesion of the playing, with Thacker proving an acutely stylish and sensitive fulcrum for an often mesmerising melding of old and new, Indian and Western.' Classical Music Magazine 'Here's an east-west inversion: gentle spirituality from Nigel Osborne's work for 'guitar concertante', and jazz with real swing in Shirish Korde's concerto, where the virtuosity of Thacker is matched by sizzling sounds from Jyotsna Srikanth's Indian violin and Sarvar Sabri's tabla playing'. The Guardian 'The third movement, in particular, is an exuberant virtuoso display of rhythmic complexity. Nada Ananda means joy of sound, an idea Korde captured in his music.' Hi-arts 'The extraordinary range of cultural influences, musical forms and emotional states in the selected works were beautifully fluid and seamlessly communicated by Thacker and his fellow musicians.' Gendai Guitar Japan 'An ambitious project which has proven very successful because of the musicianship and devotion of Simon Thacker....Just looking at all these musicians on stage with their instruments one experienced a heightened sense of anticipation, which was fulfilled in performance.' The Scotsman 'Take one eclectically minded classical guitarist from East Lothian, grant him charge of an ensemble comprising two Indian virtuosi on violin and tabla drums, one of Scotland's leading string quartets, a Scottish-based Brazilian jazz bassist and a cross-genre percussionist and... The result is music of sinuous beauty.' Musical Pointers 'This is captivating and highly recommended to our readers. Simon Thacker is a fine guitarist who has been devoting himself to exploring meetings of Indian and Western cultures with an outstanding intercultural ensemble.' Inside World Music 'Simon Thacker, is a stunning, Scottish performer of Western, European, and South Asian musical styles.....The mix of classical and Indian music is brilliant, moving, and creative.' Sunday Herald 'Simon Thacker is a musician who has always seen his instrument as international and his classical training as the portal to expressing a whole world of music. His Camerata Ritmata group explores jazz, Spanish and Brazilian influences, among others, and with the Nava Rasa Ensemble - featuring string quartet alongside Indian masters, bass and percussion - he goes right to the heart of Indian music' Songlines Magazine 'The virtuosity of the musicians on display here is not in question, and their ability to play as an ensemble is most impressive.'
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