38 Results for : devalued

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    Human resources (HR) departments are widely disliked, and job searchers are generally advised to contact the hiring manager directly if they really want to be considered for a job. There are good reasons why HR acts like an arm of the government bureaucrats pressuring companies to hire more protected minorities and women - because that's what they are, in many companies. From the best-selling author of Avoidant comes a fresh look at HR and the hiring of mediocre employees favored by affirmative action programs. It's a new age of incompetence, with brain-dead, unaccountable employees holding sinecures at the heart of our government agencies and regulated institutions like banks and hospitals, protected by affirmative action and union policies. The rot is spreading as pressure from state and federal regulation of companies has increased, promoting an internal compliance bureaucracy that has devalued the best job candidates and employees and promoted affirmative action and diversity over team productivity. The result has been ever-more-costly failures and a steep decline in performance. From the mortgage meltdown that brought down the world's economy in 2008, to the disastrous launch of the healthcare.gov website for Obamacare, major segments of business and government in the US have grown more expensive and less competent over the past few decades. Billions of dollars of waste in government contracts for IT projects, weapons systems, and service failures at the VA are in the news every day. Public schools are widely seen as mediocre, and in the poorest urban districts they are failing to provide a decent education for the students who need good schools the most to make up for bad family backgrounds. Costs for regulated services like schools, colleges, medical insurance, drugs, courts, prisons, and infrastructure like roads and bridges rise far faster than inflation, while time to complete major projects stretches out to decades, and many fail ungekürzt. Language: English. Narrator: Joe Farinacci. Audio sample: https://samples.audible.de/bk/acx0/074940/bk_acx0_074940_sample.mp3. Digital audiobook in aax.
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    Imagine you could give an essay entitled "How to Make Me Come" to a past, present or future sex partner, free of judgment or repercussion. What would you want them to know? In this book inspired by Emma Koenig's wildly popular website, a diverse collective of women do just that.   Emma Koenig was inspired to answer this question after a truly frustrating sexual experience with a partner. As she says, "THE SIMPLEST VERSION OF THIS STORY DEVOID OF ALL IDENTIFYING DETAILS: He thought I had an orgasm. I hadn't." She knew she couldn't be the only woman to have been mystified by an experience such as this, and so her Tumblr, How to Make Me Come, was born as a safe space for women to talk honestly and openly. The website touched a major chord. It received tons of press and garnered more than a million page views in a month. And now, a broad range of the best of these anonymous essays have been collected into MOAN.   The ways through which women achieve sexual pleasure are often ignored, devalued, or misunderstood. MOAN tackles the ideas surrounding the sometimes elusive orgasm head on. Here is a look into the spectrum of desire. Of frustration. Of experiences that have left an impact. From the hilarious to the tragic, from the intellectual to the erotic, these essays will leave you feeling inspired and excited to embark on your own journey of sexual exploration and empower women to do what most of the time is hardest for us: asking for what we want and don't in the bedroom and beyond.   Full cast of narrators: Emma Koenig, Chloe Cannon, Melanie Cronin, Heidi Eklund, Grace Angela Henry, Zoe Hunter, Anna Morrow, Molly Parker Myers, Jennifer Coolidge, and Annie Sullivan. ungekürzt. Language: English. Narrator: Melanie Cronin, Chloe Cannon, Melanie Cronin. Audio sample: https://samples.audible.de/bk/hach/004437/bk_hach_004437_sample.mp3. Digital audiobook in aax.
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    From the acclaimed author of Like a Mother comes a reflection on the state of caregiving in America, and an exploration of mothering as a means of social change.The Covid-19 pandemic shed fresh light on a long-overlooked truth: mothering is among the only essential work humans do. In response to the increasing weight placed on mothers and caregiversand the lack of a social safety net to support themwriter Angela Garbes found herself pondering a vital question: How, under our current circumstances that leave us lonely, exhausted, and financially strained, might we demand more from American family life? In Essential Labor, Garbes explores assumptions about care, work, and deservedness, offering a deeply personal and rigorously reported look at what mothering is, and can be. A first-generation Filipino-American, Garbes shares the perspective of her family's complicated relationship to care work, placing mothering in a global contextthe invisible economic engine that has been historically demanded of women of color. Garbes contends that while the labor of raising children is devalued in America, the act of mothering offers the radical potential to create a more equitable society. In Essential Labor, Garbes reframes the physically and mentally draining work of meeting a child's bodily and emotional needs as opportunities to find meaning, to nurture a deeper sense of self, pleasure, and belonging. This is highly skilled labor, work that impacts society at its most foundational level.Part galvanizing manifesto, part poignant narrative, Essential Labor is a beautifully rendered reflection on care that reminds us of the irrefutable power and beauty of mothering.
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    From the acclaimed author of Like a Mother comes a reflection on the state of caregiving in America, and an exploration of mothering as a means of social change. The Covid-19 pandemic shed fresh light on a long-overlooked truth: mothering is among the only essential work humans do. In response to the increasing weight placed on mothers and caregivers—and the lack of a social safety net to support them—writer Angela Garbes found herself pondering a vital question: How, under our current circumstances that leave us lonely, exhausted, and financially strained, might we demand more from American family life? In Essential Labor, Garbes explores assumptions about care, work, and deservedness, offering a deeply personal and rigorously reported look at what mothering is, and can be. A first-generation Filipino-American, Garbes shares the perspective of her family's complicated relationship to care work, placing mothering in a global context—the invisible economic engine that has been historically demanded of women of color. Garbes contends that while the labor of raising children is devalued in America, the act of mothering offers the radical potential to create a more equitable society. In Essential Labor, Garbes reframes the physically and mentally draining work of meeting a child's bodily and emotional needs as opportunities to find meaning, to nurture a deeper sense of self, pleasure, and belonging. This is highly skilled labor, work that impacts society at its most foundational level. Part galvanizing manifesto, part poignant narrative, Essential Labor is a beautifully rendered reflection on care that reminds us of the irrefutable power and beauty of mothering.
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    Ausgehend von einem Dialog zwischen Adorno und Blumenberg entwickelt die Studie ein eigenständiges Verfahren der philosophischen Sprachkritik. Durch die Konfrontation erarbeitet sie ein Sprachverständnis, das in der Auseinandersetzung mit der wissenschaftlichen Begriffs- und der gesellschaftlichen Sprachpraxis gründet. Einerseits wird die von der Sprachphilosophie bis heute oft abgewertete Rhetorik rehabilitiert. Das »Unbegriffliche« erweist sich als unabdingbar für das Denken und Sprechen - besonders für den Ausdruck des »Nichtidentischen«. Andererseits wird die unbewusste Orientierungsfunktion von Metaphern problematisiert. Im Rückgriff auf Adornos Gesellschaftstheorie rekonfiguriert der Autor Blumenbergs Metaphorologie als ein ideologiekritisches Verfahren, das an der Sprache abliest, was das Denken und Handeln anleitet. Die Arbeit wurde mit dem "Tiburtius-Preis der Berliner Hochschulen - Anerkennungspreis für hervorragende Dissertationen" ausgezeichnet.»A remarkably thorough,thoughtful and original piece of work, fully justifying the decision to compare two figures who hitherto have rarely been discussed together.« Martin JayBased on a dialogue between Adorno and Blumenberg, this book develops a highly original method of philosophical language criticism. By way of this contrasting juxtaposition, it elaborates an understanding of language that is grounded in the dispute between scientific conceptual and social linguistic practice. On the one hand, rhetoric, which has often been (and even today sometimes is) devalued by the philosophy of language, is being rehabilitated. The "non-conceptual" proves to be indispensable for thinking and speaking - especially for the expression of the "non-identical". On the other hand, the unconscious workings of metaphors in orientation is expounded. Drawing on Adorno's social theory, the study reconfigures Blumenberg's metaphorology as an ideology-critical procedure that takes its cue from language in order to ascertain what guides thought and action. The work was awarded the Tiburtius Prize of the Berlin Universities - Recognition Award for Outstanding Dissertations.»A remarkably thorough, thoughtful and original piece of work, fully justifying the decision to compare two figures who hitherto have rarely been discussed together.« Martin Jay
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    "Innovation" is the hottest buzzword in business. But what if our obsession with finding the next big thing has distracted us from the work that matters most? "The most important book I've read in a long time . . . It explains so much about what is wrong with our technology, our economy, and the world, and gives a simple recipe for how to fix it: Focus on understanding what it takes for your products and services to last."-Tim O'Reilly, founder of O'Reilly Media It's hard to avoid innovation these days. Nearly every product gets marketed as being disruptive, whether it's genuinely a new invention or just a new toothbrush. But in this manifesto on thestate of American work, historians of technology Lee Vinsel and Andrew L. Russell argue that our way of thinking about and pursuing innovation has made us poorer, less safe, and-ironically-less innovative. Drawing on years of original research and reporting, The Innovation Delusion shows how the ideology of change for its own sake has proved a disaster. Corporations have spent millions hiring chief innovation officers while their core businesses tank. Computer science programs have drilled their students on programming and design, even though theoverwhelming majority of jobs are in IT and maintenance. In countless cities, suburban sprawl has left local governments with loads of deferred repairs that they can't afford to fix. And sometimes innovation even kills-like in 2018 when a Miami bridge hailed for its innovative design collapsed onto a highway and killed six people. In this provocative, deeply researched book, Vinsel and Russell tell the story of how we devalued the work that underpins modern life-and, in doing so, wrecked our economy and public infrastructure while lining the pockets of consultants who combine the ego of Silicon Valley with the worst of Wall Street's greed. The authors offer a compelling plan for how we can shift our focus away from the pursuit of growth at all costs, and back toward neglected activities like maintenance, care, and upkeep. For anyone concerned by the crumbling state of our roads and bridges or the direction our economy is headed, The Innovation Delusion is a deeply necessary reevaluation of a trend we can still disrupt.
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    Devalued and Distrusted - Can the Pharmaceutical Industry Restore its Broken Image?: ab 21.99 €
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    Der Römer Donato Dozzy (Afterhour-DJ der Panorama Bar, Voices From The Lake) ist inzwischen einer der Superstars in der Nische zwischen Ambient, Dub und Techno.Der Römer ist seit den späten 80ern als DJ aktive seine ersten Maxi-Releases erscheinen erst 2004. In Berlin steigt er zum Afterhour-Resident-DJ in der noch jungen Panorama Bar auf. Drei Jahre bleibt Dozzy in Berlin, verbessert seine Produktionstechniken, vernetzt sich bestens mit den Berghain-Künstlern und kehrt 2007 als in Kennerkreisen gefeierter Techno-DJ nach Italien zurück. Nach Maxi-Releases auf Mental Groove, Curle Recordings und Mule Electronique erschien 2010 mit K sein erstes Album, gefolgt vom Longplayer seines zusammen mit dem Produzenten Neel gestarteten Projekts Voices From The Lake. Bei den Releases von Dozzy klingen trotz aller Abstraktion immer auch seine Psychedelic-Wurzeln, die Vorliebe für The Who, mit an. Seine Tracks lassen sich irgendwo zwischen Ambient, Dub und Techno verorten. Diese Genres bilden die Fixpunkte in den DJ-Sets von Donato Dozzy, die ihre graduellen Veränderungen auszeichnen und die einen ausgeprägt hypnotischen Charakter entfalten. The Loud Silence widmet sich als Konzeptalbum einem Instrument: Der Maultrommel. In April of this year, Donato Dozzy took a set of mouth harps back to his parent's house in the Italian countryside and set about exploring the possibilities of that most basic of instruments. The mouth harp had been calling to Dozzy ever since childhood, when he had discovered the marranzano on a holiday in Sicily with this parents at the tail end of the 1970s. Almost four decades later, Dozzy had begun to see in this peculiar, ancient sound, the roots of the music he'd been making and playing in clubs all these years. It was time to find out how far he could trace it all back. The Loud Silence is the result of those explorations, an accompanied deep-dive into childhood memory, social history and the roots of psychedelia. Recorded indoors and outdoors, half-way up mountains and on the edge of the Mediterranean sea, the record is meditative but also powerful. Dozzy has distilled his ideas into an incredibly intimate sound, one that invites an inverted sort of exploration, pushing you further and further into your own head. Each track maintains an inviolable central pulse, while delicate, fluttering sounds hint at vast spaces that might open up at any minute - they're just waiting for you to connect with them. Field recordings hover below the resonating harps, adding to the mysterious atmosphere. Tracks like 'The Loud Silence' and 'Downhill to the Sea' are wrapped up in simple rhythms, their strict throb drawing you deeper and deeper into the primitive sound. Where so much of today's trance-inducing music is mechanical, born of grids and microchips, The Loud Silence pulses with the presence of the human body. As Dozzy says, The hand gives the tempo, together with the breath. It's all about the mouth, the ears, the hands. The organic physicality of the sound, made in concert with the body itself, generates a primal response in the listener, an undeniably visceral understanding, an empathetic resonance. When you play such an instrument, you'll feel all your bones vibrating to the sound in a sort of chain reaction! says Dozzy. It becomes an emotional and physical clean up. In Italy, one of the ways to call the jew's harp is 'scacciapensieri', which literally means 'It kicks thoughts away'. The sound and its effects also carry with them a sense of history, of community and of social ritual. Trance states, whether shamanic rituals in the Amazon or DJ sets in dark night-clubs, have always relied on a social element, a communal understanding of what is going on, what is expected to happen. The Loud Silence is a personal album that speaks to this communal experience, that wonders implicitly why these ancient ideas of society and community have been so devalued today. In a moment where all individuals seem to act egoistically and not as a tribe, says Dozzy, This music gives me the sense of continuity with the past. Throughout history, states of altered consciousness have been religious, political, poetical or nihilistic, but rarely ever just a means of innocent entertainment. There is something inherently transgressive about removing the shackles of individual will and succumbing to something larger than yourself. Giving up your base desires and ambitions in favour of a sound, to submit yourself to something as simple and fleeting as vibrations in the air, the sound of some metal resonating in another person's mouth, is a way to communicate with the part of you which is in everyone else too. It's a way to reach both in and out at once, to the heart of what it is to be human on this planet. At a time when nations are burning and whole continents are on the edge of breaking apart, recognising the bonds that bring and hold people together, recognising that what we share is what truly defines us, couldn't be more important. The Loud Silence is Dozzy's second solo album, and it sees him return to Further Records, where he released his first solo LP, K, in 2010. On the surface, there might seem to be a world of difference between this record and K, but they share the same sense of dynamic movement within a limited sphere. It's not minimal exactly - it's hard to describe such a rich sound as minimal or reduced in any way - but it is music that gets the most out of a small, well-chosen set of tools. Like on the recent album Sintetizzatrice, a full-length collaboration with singer Anna Caragnano, and a forthcoming Further LP from Aquaplano studio partner Nuel, the ability to make a single element - voice, synthesizer, mouth-harp - the centre of a musical world is enthralling. The Loud Silence is a testament to this eagerness to unearth the historical and social resonances of lone instruments, to see what traditions, what emotions, lie hidden in the most familiar sounds. Anyone who has followed Dozzy's work over the years, whether the celebrated Voices from the Lake collaboration with Neel, the otherworldly mixes he's done for MNML SSGS and electronique.it, or particularly his album of Bee Mask remixes for the Spectrum Spools label, will see that The Loud Silence is a continuation of a life-long fascination with sound and its potential to bring people, times and places together. It's one more stunning chapter in a musical career that has never shirked the task of digging deep into the sounds that move us. This record is the first in a series exploring the depth of one instrument - next up in the series a solo record from Nuel that explores the Ekdahl Polygamist. TRACKS: 1. Personal Rock (5:03) 2. Cross Panorama (4:10) 3. The Loud Silence (4:09) 4. The Net (4:34) 5. For Arnaud (3:58) 6. Downhill to the Sea (6:08) 7. Concert for Sails (3:44) 8. Exit The Acropolis (6:04)
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