36 Results for : kafkaesque

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    The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • "A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman's deep imagination, considerable writing ability and bull's-eye wit."-The Washington Post "An astonishing creation . . . riotously funny . . . an exceptionally good [book]."-The New York Times Book Review "Kaufman is a master of language . . . a sight to behold."-NPR B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider-a film he's convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made-a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete-B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that's left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of "likes" and arbitrary denunciations that are simultaneously his bête noire and his raison d'être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself-the grain of truth at the heart of every joke.
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    • Price: 1.99 EUR excl. shipping
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    Kafka's Nonhuman Form - Troubling the Boundaries of the Kafkaesque. 1st ed. 2016: ab 58.99 €
    • Shop: ebook.de
    • Price: 58.99 EUR excl. shipping
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    Kafka's Nonhuman Form - Troubling the Boundaries of the Kafkaesque: ab 58.99 €
    • Shop: ebook.de
    • Price: 58.99 EUR excl. shipping
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    Kafkaesque Laws Nisour Square and the Trials of the Former Blackwater Guards: ab 97.49 €
    • Shop: ebook.de
    • Price: 97.49 EUR excl. shipping
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    Released within months of Fellini's La Dolce Vita and Antonioni's La Notte, Elio Petri's dazzling first feature The Assassin (L'Assassino) also stars Marcello Mastroianni, this time as dandyish thirtysomething antiques dealer Alfredo Martelli, arrested on suspicion of murdering his older, far wealthier lover Adalgisa (Micheline Presle). But as the increasingly Kafkaesque police investigation proceeds, it becomes less and less important whether Martelli actually committed the crime as his entire lifestyle is effectively put on trial. Best known for Investigation of a Citizen Above Suspicion and The Tenth Victim, Petri was one of the finest and yet most underrated Italian directors of the 1960s and 70s. Highly acclaimed on it's original release but unjustly neglected since, The Assassin is a remarkably assured debut from one of the cinema's sharpest chroniclers of Italian social and political realities. Petri said that he wanted to reflect the changes wrought by the early sixties, and to examine 'a new generation of upstarts who lacked any kind of moral scruple'.
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    • Price: 47.21 EUR excl. shipping
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    HOW DO YOU MEASURE YOUR OWN SANITY IN A WORLD GONE MAD? In 1977, legendary Swedish filmmaker Ingmar Bergman (The Seventh Seal, Persona) teamed up with the equally legendary Italian producer Dino de Laurentiis (La strada, Danger: Diabolik) for what would be the director's one and only Hollywood feature. Berlin, 1923. Out-of-work circus performer Abel Rosenberg (David Carradine, Bound in Glory, Kill Bill) is living in poverty. When his brother commits suicide, he moves into the apartment of his cabaret singer sister-in-law (Liv Ullmann, The Emigrants, Scenes from a Marriage), but the pair soon attract the attentions of both the police and a professor with a terrifying area of research when they start to make enquiries about his mysterious death. One of Bergman's darkest - and most unlikely - films, The Serpent's Egg is a hypnotic, Kafkaesque tale of paranoia in a poisoned city
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    • Price: 43.71 EUR excl. shipping


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