37 Results for : paralleling

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    Korea x2 (Book One) The Korean CIA director is killed by a North Korean assassin. Counterfeiting, drugs, and weapons of terror finance the North Korean government. Three Air Force Pararescuemen and a CIA officer join with the South Korean 707th Brigade, a team of female assassins, to form a team known only by President Reagan and CIA Director Casey as "the Silent Six." Their task: the destruction of the North Korean gangster regime. "The Silent Six" is the ultimate Special Operations Team. Silent Six (Book Two) Author David Joseph brings his most intriguing thriller yet - a terrifying story about terrorism and rescue - brilliantly paced with superb nonstop action. While tracking the 9/11 terrorist hijackers at the Kuala Lumpur Summit, the Silent Six team are redirected on a rescue mission of sheer audacity and nerve - rescue a group of children being transported from Camp 14 in North Korea. Here is David Joseph's heart-stopping masterpiece, a riveting novel about the most diabolical government and criminal syndicate that ever existed - the Kim regime and Office 39. Putin's Gold (Book Three) Putin and Kim Jong Un unleash a deadly reign of global terror by hijacking and shooting down a Malaysian airliner and circulating the "PBF", the Perfect Ben Franklin. CIA Director Mike Perry has followed the evil Office 39 director for over 30 years and finally has a chance to eliminate him along with the Kim regime. As an added bonus, the Federal Reserve cripples the Putin government through manipulating the oil markets, applying economic sanctions, and acquiring huge gold reserves in North Korea. Putin's Gold is a shocking novel paralleling real world events. David Joseph's electrifying conclusion to the Korea Trilogy will have you glued to your headphones right down to the last word. ungekürzt. Language: English. Narrator: Hobart Reynolds. Audio sample: https://samples.audible.de/bk/acx0/095127/bk_acx0_095127_sample.mp3. Digital audiobook in aax.
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    A compelling portrait of the life, work, and meaning of one of the greatest artists of all time. Toward the end of his long life, Tiziano Vecelli - known to the world ever since as Titian (circa 1488-1576) - was at work on a number of paintings that he kept in his studio, never quite completing them, as though wanting to endlessly postpone the moment of closure. Produced with his fingers as much as with the brush, Titian’s last paintings are imbued with a unique rawness and immediacy without precedent in the history of Western art. As if to further cloud their meaning, after the outbreak of plague that took his life, Titian’s studio was looted and many canvases were taken; what happened to them is not known. But what did Titian, who had experienced as much in the way of material success and critical acclaim as any artist before or since, mean by these works? Titian: The Last Days is a quest through the great artist’s life and work toward the physical and spiritual landscape of his last paintings. Vividly re-creating the atmosphere of 16th-century Venice and Europe, Mark Hudson chronicles Titian’s relationships with his own mentors (Bellini and Giorgione), rivals, and patrons - among them popes, kings, and emperors - as well as his troubled dealings with his own family. Paralleling this narrative is Hudson’s personal journey through Titian’s life and career, exploring the relentless formal development that led to the breakthroughs of his last days, and the mystery behind his missing paintings. Moving from Titian’s hometown in the Dolomites to the greatest churches and palaces of the age, to Venice then and now, Titian: The Last Days is an original and compelling study of one of Europe’s greatest artists. ungekürzt. Language: English. Narrator: Napoleon Ryan. Audio sample: https://samples.audible.de/bk/adbl/009676/bk_adbl_009676_sample.mp3. Digital audiobook in aax.
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    Francis Ford Coppola's The Godfather (1972) marked a transition in American film-making, and its success - as a work of art, as a creative 'property' exploited by its studio, Paramount Pictures; and as a model for aspiring auteurist film-makers - changed Hollywood forever. Jon Lewis's study of The Godfather begins with a close look at the film's audacious visual style (the long, theatrical set pieces; the chiaroscuro lighting, the climactic montage paralleling a family baptism with a series of brutal murders). The analysis of visual style is paired with a discussion of the movie's principal themes: Vito and Michael's attempt to balance the obligations of business and family, their struggle with assimilation, the temptations and pitfalls of capitalist accumulation, and the larger drama of succession from father to son, from one generation to the next. The textual analysis precedes a production history that views The Godfather as a singularly important film in Hollywood's dramatic box-office turnaround in the early 1970s. And then, finally, the book takes a long hard look at the gangster himself both on screen and off. Hollywood publicity attending the gangster film from its inception in the silent era to the present has endeavoured to dull the distinction between the real and movie gangster, insisting that each film has been culled from the day's sordid headlines. Looking at the drama on screen and the production history behind the scenes, Lewis uncovers a series of real gangster backstories, revealing, finally, how millions of dollars of mob money may well have funded the film in the first place, and how, as things played out, The Godfather saved Paramount Studios and the rest of Hollywood as well.
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    • Price: 11.99 EUR excl. shipping
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    Francis Ford Coppola's The Godfather (1972) marked a transition in American film-making, and its success - as a work of art, as a creative 'property' exploited by its studio, Paramount Pictures; and as a model for aspiring auteurist film-makers - changed Hollywood forever. Jon Lewis's study of The Godfather begins with a close look at the film's audacious visual style (the long, theatrical set pieces; the chiaroscuro lighting, the climactic montage paralleling a family baptism with a series of brutal murders). The analysis of visual style is paired with a discussion of the movie's principal themes: Vito and Michael's attempt to balance the obligations of business and family, their struggle with assimilation, the temptations and pitfalls of capitalist accumulation, and the larger drama of succession from father to son, from one generation to the next. The textual analysis precedes a production history that views The Godfather as a singularly important film in Hollywood's dramatic box-office turnaround in the early 1970s. And then, finally, the book takes a long hard look at the gangster himself both on screen and off. Hollywood publicity attending the gangster film from its inception in the silent era to the present has endeavoured to dull the distinction between the real and movie gangster, insisting that each film has been culled from the day's sordid headlines. Looking at the drama on screen and the production history behind the scenes, Lewis uncovers a series of real gangster backstories, revealing, finally, how millions of dollars of mob money may well have funded the film in the first place, and how, as things played out, The Godfather saved Paramount Studios and the rest of Hollywood as well.
    • Shop: buecher
    • Price: 10.95 EUR excl. shipping
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    Francis Ford Coppola's The Godfather (1972) marked a transition in American film-making, and its success - as a work of art, as a creative 'property' exploited by its studio, Paramount Pictures; and as a model for aspiring auteurist film-makers - changed Hollywood forever. Jon Lewis's study of The Godfather begins with a close look at the film's audacious visual style (the long, theatrical set pieces; the chiaroscuro lighting, the climactic montage paralleling a family baptism with a series of brutal murders). The analysis of visual style is paired with a discussion of the movie's principal themes: Vito and Michael's attempt to balance the obligations of business and family, their struggle with assimilation, the temptations and pitfalls of capitalist accumulation, and the larger drama of succession from father to son, from one generation to the next. The textual analysis precedes a production history that views The Godfather as a singularly important film in Hollywood's dramatic box-office turnaround in the early 1970s. And then, finally, the book takes a long hard look at the gangster himself both on screen and off. Hollywood publicity attending the gangster film from its inception in the silent era to the present has endeavoured to dull the distinction between the real and movie gangster, insisting that each film has been culled from the day's sordid headlines. Looking at the drama on screen and the production history behind the scenes, Lewis uncovers a series of real gangster backstories, revealing, finally, how millions of dollars of mob money may well have funded the film in the first place, and how, as things played out, The Godfather saved Paramount Studios and the rest of Hollywood as well.
    • Shop: buecher
    • Price: 10.95 EUR excl. shipping
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    The leading men of the 1940s and '50s ably represented the visual and cultural expectations of those decades in their iconic films. Some were handsome and glib with quasi-classical dialogue, some could sing, and a few could dance, while others brought imposing athletic presences to thrillers, Westerns, and urban crime dramas. However, with the advent of the early 1960s, popular culture entered a heightened age of verismo, a more frank and severe view of societal reality. Motion picture studios on both sides of the Atlantic, aware of the changing times, were quick to reflect it. The harsher light of violent new genres required a different sort of male protagonist, a character type who could put his humanity and uncertainty aside to act as a more ruthless hero than his predecessors. Paralleling real concerns over crime and an increasing disrespect for life and property, the public fell in love with the new "avenging angel" image and with Charles Bronson, the actor born at the perfect time in which to symbolize it in the grittier new films. By the time Bronson emerged from a series of miniscule uncredited roles in the mid-1950s, the singing cowboy was two generations gone, save vestiges in television serials, such as Roy Rogers and Dale Evans. The dancing romantic lead of the Gene Kelly and Fred Astaire variety would soon exhaust itself as a genre in an age increasingly bent on realism and a more severe form of escape. Bronson possessed none of the gifts common to the heroes of the previous era. Lightheartedness did not become him, and by all accounts he was neither a singer nor a dancer. He could not offer the heft of Gary Cooper or John Wayne, although he shared a reserved quality with the former. He did not possess the pristine good looks of Gregory Peck. In fact one good-natured description making the rounds in Bronson's heyday likened him to "a Clark Gable who has been left out in the sun too long." To accompany the rough-hewn appearan ungekürzt. Language: English. Narrator: Scott Clem. Audio sample: https://samples.audible.de/bk/acx0/072291/bk_acx0_072291_sample.mp3. Digital audiobook in aax.
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    • Price: 9.95 EUR excl. shipping
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    Offence Paralleling Behaviour - A Case Formulation Approach to Offender Assessment and Intervention: ab 41.99 €
    • Shop: ebook.de
    • Price: 41.99 EUR excl. shipping


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