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Rechnerarchitektur
Dieses erfolgreiche Grundlagenwerk bietet in der aktuellen 6. Auflage eine detaillierte Einführung in die Computerarchitektur. Klar und verständlich in Aufbau und Inhalt wendet sich dieses Buch an alle, die in Selbststudium oder Vorlesung detailliertes Wissen über alle wichtigen Bereiche der Computerarchitektur erwerben möchten. Das Buch stellt den Aufbau von Rechnern als eine Hierarchie von Ebenen dar, deren Funktionen und Implementierung detailliert beschrieben werden. Diese strukturierte Darstellung ermöglicht einen guten Überblick als auch eine tiefgehendes Verständnis des Stoffes. Übersichtlich aufgebaut und in Tanenbaums bekannt lockerem Stil geschrieben, wendet sich dieses Buch an Studierende und Praktiker, die detailliertes Wissen über alle wichtigen Bereiche der Computerarchitektur erwerben möchten. Viele Übungsaufgaben, ein kommentiertes Literaturverzeichnis und ein umfangreiches Glossar der aktuellen Fachbegriffe machen das Buch zu einem idealen Lehr-, Lern- und Nachschlagewerk. EXTRAS ONLINE: Für Dozenten: US-Vorlesungsfolien, alle Abbildungen aus dem Buch Für Studenten: Lösungen zu den Übungsaufgaben des Buchs, 8088 Assembler und Tracer Toolkit, Mic-1 MVV Simulation Environment ANDREW S. TANENBAUM gilt mit sechs internationalen Bestsellern zur Informatik als einer der erfolgreichsten Autoren seines Fachs. Er lehrt und forscht er an der Vrije Universiteit in Amsterdam. TODD AUSTIN ist Professor für Informatik an der University of Michigan. AUS DEM INHALT: Bausteine der digitalen Logik, Prozessorchips, Busse und Speichertechnologien: DRAM, ROM, EPROM, EEPROM, FLASH Befehlssatzarchitektur für CISC und RISC sowie VLIW Mikroarchitektur von Prozessoren: Registersätze, ALU, Caches, Pipelining, Sprungvorhersage, Out-of-Order Ausführung und superskalare Prozessoren Prozessoren für eingebettete Systeme, Netzwerkprozessoren, Grafikprozessoren Peripheriekomponenten: Festplatten, SSD, CD, DVD, Blu-Ray, Wiimote, Kinect, Touchscreen, Flachbildschirme Betriebssystemkonzepte: Virtueller Speicher, E/A-Operationen, Prozessverwaltung Assemblieren, Binden und Laden von Programmen Parallele Systeme: Mehrkernprozessoren, Multiprozessoren und MulticomputerDas Buch stellt den Aufbau von Rechnern als eine Hierarchie von Ebenen dar, deren Funktionen und Implementierung detailliert beschrieben werden. Diese strukturierte Darstellung ermöglicht einen guten Überblick als auch eine tiefgehendes Verständnis des Stoffes. Übersichtlich aufgebaut und in Tanenbaums bekannt lockerem Stil geschrieben, wendet sich dieses Buch an Studierende und Praktiker, die detailliertes Wissen über alle wichtigen Bereiche der Computerarchitektur erwerben möchten. Viele Übungsaufgaben, ein kommentiertes Literaturverzeichnis und ein umfangreiches Glossar der aktuellen Fachbegriffe machen das Buch zu einem idealen Lehr-, Lern- und Nachschlagewerk.EXTRAS ONLINE:Für Dozenten: US-Vorlesungsfolien, alle Abbildungen aus dem BuchFür Studenten: Lösungen zu den Übungsaufgaben des Buchs, 8088 Assembler und Tracer Toolkit, Mic-1 MVV Simulation Environment- Shop: buecher
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Modern Operating Systems: Global Edition
Modern Operating Systems, Fourth Edition, is intended for introductory courses in Operating Systems in Computer Science, Computer Engineering, and Electrical Engineering programs. The widely anticipated revision of this worldwide best-seller incorporates the latest developments in operating systems (OS) technologies. The Fourth Edition includes up-to-date materials on relevant OS. Tanenbaum also provides information on current research based on his experience as an operating systems researcher. Modern Operating Systems, Third Edition was the recipient of the 2010 McGuffey Longevity Award. The McGuffey Longevity Award recognizes textbooks whose excellence has been demonstrated over time. http://taaonline.net/index.html Teaching and Learning Experience This program will provide a better teaching and learning experience–for you and your students. It will help: Provide Practical Detail on the Big Picture Concepts: A clear and entertaining writing style outlines the concepts every OS designer needs to master. Keep Your Course Current: This edition includes information on the latest OS technologies and developments Enhance Learning with Student and Instructor Resources: Students will gain hands-on experience using the simulation exercises and lab experiments. Features + Benefits Provide Practical Detail on the Big Picture Concepts A clear and entertaining writing style outlines the concepts every OS designer needs to master. In-depth topic coverage includes processes, threads, memory management, file systems, I/O, deadlocks, interface design, multimedia, performance tradeoffs, and the newest trends in OS design. Multimedia file systems are covered–an important topic that most books miss. The chapter on Multimedia Operating Systems has been moved to the Web, primarily to make room for new material and keep the book from growing to a completely unmanageable size. A thorough treatment of computer security includes viruses, worms, malware and other digital pests. This chapter far exceeds anything written in any other book. It also discusses ways to combat them. Keep Your Course Current Coverage of multiprocessors, multicomputers, virtual machines, and distributed systems reflects that the field is rapidly moving from an era of single-processor systems to multicore systems, multiprocessors, and distributed systems. Case studies of popular operating systems: UNIX, Linux, Windows 8, and Android NEW: Chapter 10, on UNIX, Linux, and Android is a revision of the old Chapter 10. The focus is clearly on Linux now, with a great deal of new material about Android, which was not in the previous edition. NEW: Chapter 11 in the third edition was on Windows Vista. A chapter on Windows 8, specifically Windows 8.1, has replaced that. It brings the treatment of Windows completely up to date. NEW and UPDATED: Chapters 2—6 have been updated, with older material removed and some new material added. Chapter 2: Added information on the futex synchronization primitive, and a section about how to avoid locking altogether with Read-Copy-Update. Chapter 3: More focus on modern hardware and less emphasis on segmentation and Multics. Chapter 4: CD-Roms are removed, as they are no longer very common, and replaced with more modern solutions (like flash drives). Also, we added RAID level 6 to the section on RAID. Chapter 5: Older devices like CRT and CD-ROMs have been removed, while new technology, like touch screens have been added. The sections on current research in these chapters have been rewritten from scratch. New problems and programming exercises have been added. NEW: Chapter 7 is completely new. It covers the important topics of virtualization and the cloud. NEW and UPDATED: Chapter 8 is an updated version of the previous material on multiprocessor systems. There is more emphasis on multicore systems now, which have become so important in the past few years. A long section on VMware has been added. NEW and UPDATED: Chapter 9 has been heavily revised and reorganized, with considerable new material on exploiting code bugs, malware, and defenses against them. UPDATED: Chapter 12 is a revised version of Chap. 13 from the previous edition. A Research section in many chapters describes current research in the topic covered by the chapter. Enhance Learning with Student and Instructor Resources Online Exercises provide hands-on experience with building as well as analyzing the performance of OS. In particular, these exercises have been designed to provide experience with analyzing the resource consumptions in Windows and Linux. Simulation Exercises are designed to provide experience with building some key components of an OS, including process scheduling, main memory allocation, paging algorithms and virtual memory, and file systems. Student Tools and Lab Experiments allow students to download the tools and run the experiments to gain deeper knowledge of the subject. Password-Protected Instructor Resources (Select the Resources Tab to View Downloadable Files): Power Point Lecture Slides Figures in both .jpeg and .eps file format Solutions to Exercises CHAPTER 1 "INTRODUCTION"1.1 WHAT IS AN OPERATING SYSTEM? 3 1.1.1 The Operating System as an Extended Machine 4 1.1.2 The Operating System as a Resource Manager 51.2 HISTORY OF OPERATING SYSTEMS 6 1.2.1 The First Generation (1945-55): Vacuum Tubes 7 1.2.2 The Second Generation (1955-65): Transistors and Batch Systems 8 1.2.3 The Third Generation (1965-1980): ICs and Multiprogramming 9 1.2.4 The Fourth Generation (1980-Present): Personal Computers 15 1.2.5 The Fifth Generation (1990-Present): Mobile Computers 191.3 COMPUTER HARDWARE REVIEW 20 1.3.1 Processors 21 1.3.2 Memory 24 1.3.3 Disks 27 1.3.4 I/O Devices 28 1.3.5 Buses 32 1.3.6 Booting the Computer 341.4 THE OPERATING SYSTEM ZOO 35 1.4.1 Mainframe Operating Systems 35 1.4.2 Server Operating Systems 35 1.4.3 Multiprocessor Operating Systems 36 1.4.4 Personal Computer Operating Systems 36 1.4.5 Handheld Computer Operating Systems 36 1.4.6 Embedded Operating Systems. 37 1.4.7 Sensor-Node Operating Systems 37 1.4.8 Real-Time Operating Systems 37 1.4.9 Smart Card Operating Systems 381.5 OPERATING SYSTEM CONCEPTS 38 1.5.1 Processes 39 1.5.2 Address Spaces 41 1.5.3 Files 41 1.5.4 Input/Output 45 1.5.5 Protection 45 1.5.6 The Shell 45 1.5.7 Ontogeny Recapitulates Phylogeny 471.6 SYSTEM CALLS 50 1.6.1 System Calls for Process Management 53 1.6.2 System Calls for File Management 56 1.6.3 System Calls for Directory Management 57 1.6.4 Miscellaneous System Calls 59 1.6.5 The Windows Win32 API 601.7 OPERATING SYSTEM STRUCTURE 62 1.7.1 Monolithic Systems 63 1.7.2 Layered Systems 64 1.7.3 Microkernels 65 1.7.4 Client-Server Model 68 1.7.5 Virtual Machines 69 1.7.6 Exokernels 731.8 THE WORLD ACCORDING TO C 73 1.8.1 The C Language 73 1.8.2 Header Files 74 1.8.3 Large Programming Projects 75 1.8.4 The Model of Run Time 761.9 RESEARCH ON OPERATING SYSTEMS 771.10 OUTLINE OF THE REST OF THIS BOOK 781.11 METRIC UNITS 791.12 SUMMARY 80CHAPTER 2 "PROCESSES AND THREADS"2.1 PROCESSES 85 2.1.1 The Process Model 86 2.1.2 Process Creation 88 2.1.3 Process Termination 90 2.1.4 Process Hierarchies 91 2.1.5 Process States 92 2.1.6 Implementation of Processes 94 2.1.7 Modeling Multiprogramming 952.2 THREADS 97 2.2.1 Thread Usage 97 2.2.2 The Classical Thread Model 102 2.2.3 POSIX Threads 106 2.2.4 Implementing Threads in User Space 108 2.2.5 Implementing Threads in the Kernel 111 2.2.6 Hybrid Implementations 112 2.2.7 Scheduler Activations 113 2.2.8 Pop-Up Threads 114 2.2.9 Making Single-Threaded Code Multithreaded 1162.3 INTERPROCESS COMMUNICATION 119 2.3.1 Race Conditions 119 2.3.2 Critical Regions 121 2.3.3 Mutual Exclusion with Busy Waiting 122 2.3.4 Sleep and Wakeup 127 2.3.5 Semaphores 130 2.3.6 Mutexes 132 2.3.7 Monitors 137 2.3.8 Message Passing 144 2.3.9 Barriers 146 2.3.10 Avoiding Locks: Read-Copy-Update 1482.4 SCHEDULING 149 2.4.1 Introduction to Scheduling 150 2.4.2 Scheduling in Batch Systems 156 2.4.3 Scheduling in Interactive Systems 158 2.4.4 Scheduling in Real-Time Systems 164 2.4.5 Policy Versus Mechanism 165 2.4.6 Thread Scheduling 1662.5 CLASSICAL IPC PROBLEMS 167 2.5.1 The Dining Philosophers Problem 167 2.5.2 The Readers and Writers Problem 1712.6 RESEARCH ON PROCESSES AND THREADS 1722.7 SUMMARY 173CHAPTER 3 "MEMORY MANAGEMENT"3.1 NO MEMORY ABSTRACTION 1823.2 A MEMORY ABSTRACTION: ADDRESS SPACES 185 3.2.1 The Notion of an Address Space 186 3.2.2 Swapping 187 3.2.3 Managing Free Memory 190Modern Operating Systems, Fourth Edition, is intended for introductory courses in Operating Systems in Computer Science, Computer Engineering, and Electrical Engineering programs.The widely anticipated revision of this worldwide best-seller incorporates the latest developments in operating systems (OS) technologies. The Fourth Edition includes up-to-date materials on relevant OS. Tanenbaum also provides information on current research based on his experience as an operating systems researcher.Modern Operating Systems, Third Edition was the recipient of the 2010 McGuffey Longevity Award. The McGuffey Longevity Award recognizes textbooks whose excellence has been demonstrated over time. http://taaonline.net/index.htmlTeaching and Learning ExperienceThis program will provide a better teaching and learning experience-for you and your students. It will help: Provide Practical Detail on the Big Picture Concepts: A clear and entertaining writing style outlines the concepts every OS designer needs to master. Keep Your Course Current: This edition includes information on the latest OS technologies and developments Enhance Learning with Student and Instructor Resources: Students will gain hands-on experience using the simulation exercises and lab experiments.- Shop: buecher
- Price: 56.99 EUR excl. shipping
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Double Echo
New Century Chamber Orchestra - Aaron Jay Kernis (Dir) - u.a. // Aufbauend auf der Tradition, dass prominente Gitarristen ihr (und nicht nur ihr) Repertoire durch neue Auftragswerke erweitern, fasst das Album höchst unterschiedliche Werke der letzten 35 Jahre zusammen. Die meisten davon sind dem Solisten des Albums, David Tanenbaum, gewidmet.- Shop: odax
- Price: 13.61 EUR excl. shipping
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Waking Dances
David Tanenbaum (Gtr), Earplay Ensemble, Jugend Gtrnorchester Baden Wuerttemberg, Helmut Oesterreich (Dir)- Shop: odax
- Price: 14.63 EUR excl. shipping
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Inquieto 20th Century Masterworks
Antoniy Kakamakov began studying the guitar at the age of ten with Milena Valtcheva, in his native country of Bulgaria. In 1997 he won first prize in the junior division of the International Classical Guitar Festival and Competition in Sinaia, Romania, and in the following year he won two first prizes in the junior divisions in the international guitar competitions in Kraiova, Romania and Assenovgrad, Bulgaria. In 1999, he was awarded full scholarship to study guitar at the Idyllwild Arts Academy, where his teachers were Terry Graves and Michael Kudirka. He received his Bachelor's degree from the San Francisco Conservatory of Music (SFCM) in 2007, under the tutelage of David Tanenbaum, and has continued his studies there as a Master's candidate. In 2007, he received second place in the SFCM Concerto Competition and was a prize-winner in the Portland Guitar Festival and Competition. In April 2008, he won first prize in the inaugural Wesley Day Solo Classical Guitar Recording Competition. In the fall of 2008 he will continue his studies at SFCM with Sergio Assad. He has played in master classes for William Kanengiser, Duo Assad, Nigel North, Manuel Barrueco, Paul Galbraith, Ana Vidovic, Antigoni Goni, Pavel Steidl, Gyan Riley, David Grimes and the Katona Twins. In the beginning of the twentieth century the music written for guitar was largely influenced by Andres Segovia. He commissioned guitarist and non-guitarist composers and then would edit the pieces to better suit the instrument, thus most of this repertoire is very similar in it's overall sound. However, twentieth-century compositions that were not supported by Segovia were, in general, superior in content and considered a liberation from the previous dependence on the works by Torroba, Ponce, Villa-lobos etc. Antonio Jose, Frank Martin, Benjamin Britten and Maurice Ohana's compositions have just recently received the recognition they deserve, partly due to the change of the climate towards deeper understanding and appreciation of intellectual music by audiences. These masterpieces demand a new technical approach and more interpretive imagination than those commissioned by Segovia. The performer immediately recognizes that the way the fingers fit under the fret board is unfamiliar to what they are used to, since the composers did not know the instrument. This program explores the international variety (Spain, Switzerland, England and France) as well as the differences in compositional form and style of the contemporary twentieth century works written for guitar. The existence of Antonio Jose's Sonata was not known until 1989 when Angelo Gilardino was informed of an unpublished manuscript by Jose that had been unplayed since 1933. Similar fate followed Frank Martin's "Quatre Pieces Breves," which were completely rejected by Segovia since the work did not fit his taste. Benjamin Britten's "Nocturnal" was problematic for the audiences at first due to it's intellectual complexity. However, it is now considered to be one of the greatest works produced for the instrument. Britten exploits many guitaristic effects - tremolo, pizzicato, open string pedals, etc. Although these techniques greatly expanded the guitarists' pallet of sound, they were not enough to execute the desired sonorities and textural complexity - as a result, new effects surfaced. All of these pieces put the performer's technique as well as his/hers interpretive imagination and abilities to a test. These masterworks also explore different compositional forms. The Antonio Jose Sonata is a four movement sonata form. Frank Martin's four brief pieces are modeled after baroque movements. Britten's "Nocturnal" is an unusual reverse variation form, where the whole basis of the piece - a John Dowland song "Come Heavy Sleep" - is not heard until the very end. Britten does this in order to resolve the intensity that has been built up throughout previous variations. Ohana's "Tiento" is his only piece for six string guitar. Knowing Yepes, Ohana went wild for the ten string guitar and wrote two large cycles for the instrument. "Si le jour parait"(1963) takes the title from Goya's Caprices "Si Amenece Vamos." The whole work's climax is in the middle movement Avril 20, which is a lament for an unnamed political prisoner, killed in the Spanish Civil War. It refers to ghostly figures under the night sky. Though these works were written within a short time span, they display a variety of styles. Jose was strongly influenced by impressionist composers such as Ravel and Debussy, which is clearly recognizable in his "Sonata para guitarra." The lack of Spanish nationalism in his music tragically had to do with his murder. Frank Martin was experimenting with 12 tone technique when he wrote "Quatre Pieces Breves," identifiable in the outer movements. The numbered sections in Britten's "Nocturnal" are non tonal, but follow the motivic content and structure of Dowland's song. Melancholy and the stages of sleep are the crux of the composition. It also explores the passive and the aggressive in every one of us in the climax - the Passacaglia, followed by the resolution - "Come Heavy Sleep." Ohana's "Tiento" as well as "Avril 20" are microtonal - he uses bending of the strings creating quarter-tone relations. De Falla had an impact on Ohana's works. This is recognizable in "Tiento," which takes and manipulates the habanera rhythm that Falla uses in his "Homehaje." This program connects to my career goals because I want to explore twentieth century and more recent music written for the guitar. These pieces are known by the guitar audience, but for the non-guitarist they may possibly be unfamiliar in sound and content. In my future recital programs I would like to dig into this repertoire and introduce it to the wider audience, thus going beyond their familiarity with the traditional sound of the works commissioned by Segovia.- Shop: odax
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Entre Senderos
'Entre Senderos', Hector Murrieta's excellent follow up album to his 2007 debut 'De Oriente a Occidente: Musica del Siglo XX'. This new CD includes some of the greatest works ever written for classical guitar: Manuel de Falla (1876-1946) - Homenaje a Debussy Written in 1920 in memory of the composer's friend, C. Debussy. Frank Martin (1890-1974) - Quatre Pieces Breves I.- Prelude II.- Air III.- Plainte IV.- Gigue Written in 1933, the music mixes twelve tone techniques without completely abandoning tonality. Ernst Krenek (1900-1991) - Suite for Guitar Op. 164 I.- Allegro Moderato II.- Andante III.- Larghetto IV.- Allegretto V.- Allegro His only work for guitar, written in 1957, a time when the composer started to experiment with serialism. Francis Poulenc (1899-1963) - Sarabande Written in 1960 in a modal style, 3 years before the composer's death. Toru Takemitsu (1930-1996) - In the Woods I.- Wainscot Pond II.- Rosedale III.- Muir Woods Written in 1995, this work turned out to be the last one he wrote for guitar before losing his battle against cancer, . William Walton (1902-1983) -5 Bagatelles I.- Allegro II.- Lento III.- Alla Cubana IV.- Untitled V.- Con Slancio Written for Julian Bream and dedicated to the composer's close friend Malcom Arnold, the 5 Bagatelles show the composers imagination and orchestral thinking within the limits of the guitar. Plenty of jazz harmonies and "world" rhythms abound in this rather magnificent work, showing us the ample harmonic/rhythmic palette Walton had at his disposal. ------------------------------------------------------------ Héctor Alejandro Murrieta Flores nacio en la Ciudad de México y comenzo sus estudios de guitarra clásica en la escuela 'Ollin Yolitztil' con el maestro Antonio López, continuando en la Escuela Nacional de Música, U.N.A.M., bajo la dirección del maestro Juan Carlos Laguna, llevando al mismo tiempo materias complementarias como Armonía con D. Domínguez, H. Guerrero y G. Noriega, Conjuntos Instrumentales con las clavecinistas Eunice Padilla, Luisa Duron, Conjuntos Corales con J. Ávila y clases particulares de guitarra con Carlos Bernal. Actualmente asiste a clases con Gonzalo Salazar (México). Ha participado en festivales nacionales e internacionales, en donde tomo clases magistrales con: Sante Tursi (Italia) Ignacio Rodes (España) Robert Guthrie (USA) Costas Cotsiolis (Grecia) David Leisner (USA) Manuel Barrueco (Cuba/USA) David Tanenbaum (USA) Thomas Kirchoff (Alemania) Dale Kavanagh (Canada) Ulrich Stacke (Alemania) y Pavel Steidl (Replublica Checa) entre otros. Recibio una beca de The California State University, para asistir al Summer Arts Guitar and Lute Institute, en donde tambien tomo clase con: The L.A. Guitar Quartet, Benjamín Verdery, David Tanenbaum, Richard Savino, Pearl and Grey Duo. Se ha presentado en diversas entrevistas y programas de radio (Radio Educación, Radio UNAM), eventos multidisciplinarios como la Primera Semana del Libro de Poesía.. (con la participación del poeta Jaime Sabines), el ciclo 'La Música vive en la Universidad', etcetc. El compositor venezolano Alfonso Montes comento con respecto a una grabación enviada a el de su obra 'Milonga al sur' : 'Vuestra interpretación de mi pieza me conmovió mucho, sobre todo porque traspasa el efecto con que interpreta esta. Lo que usted hace habla de la no pasividad ante la partitura'. Su versatilidad también le ha permitido incursionar en diversas actividades de la música popular, acompañando a diferentes cantantes solistas, u obteniendo premios en eventos como '1er Concurso Universitario de Rock' con los hermanos Barrera (del grupo de jazz B4) y J. Acosta (creador del grupo de rock 'Tuna' y productor de diversos proyectos). Su primer CD, 'De Oriente a Occidente: Musica del Siglo XX', con musica de C. Chavez, L. Brouwer, T. Takemitsu y H. Villalobos se encuentra disponible en la republica mexicana a traves de librerias Educal y a nivel internacional a traves de la compañia CD Baby. Recientemente participo en el 'Primer Acoplado Interactivo de Arte Mexicano', CD publicado por el directorio de arte en Mexico mas grande en red, Vector Mariachi. En este se encuentran grabaciones de diferentes musicos y el trabajo de artistas plasticos mexicanos, Tambien con musica del CD 'De Oriente a Occidente: Musica del Siglo XX' para el documental 'In the Absence of Men', producido por Reel Futures International, organizacion no lucrativa con base en U.S.A., dedicada a proponer soluciones creativas a problemas globales.- Shop: odax
- Price: 17.95 EUR excl. shipping
