46 Results for : dabbled

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    Widely recognized as one of the most powerful healing methods that has ever been developed, bioenergy healing is relatively easy to learn. Csongor's unique writing - as if you were listening to him live at one of his seminars - makes this comprehensive book on energy healing a light yet very informative listen. If you are a fast learner, you may learn to heal in only one day. By the end of the book, you will become a healer for a lifetime. Csongor Daniel was one of the first officially recognized bioenergy healers in the former Yugoslavia, trained by the legendary Zdenko Domancic. While his teacher has healed more than a million people, Csongor has no such ambitions. Instead, he would like to teach more than a million of you how to become healers yourselves. Bioenergy Healing will teach you how to feel and see the energy fields of the body and how to manipulate the energy in order to induce healing. QR codes throughout the book enable listeners to see the techniques demonstrated in brief videos. Who needs bioenergy healing? Anyone who has ever dabbled in healing but is still looking for the right method; people who read most books on energy healing but are still puzzled by complicated approaches and explanations; individuals who want to learn energy healing but are too busy to take months or years of courses; health professionals who want to add a new effective modality to their practices; and parents and children who want to help their friends and family members reduce or eliminate pain and heal without drugs. In other words: everyone wanting to help others to heal. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio. ungekürzt. Language: English. Narrator: Eric G. Dove. Audio sample: https://samples.audible.de/bk/adbl/025190/bk_adbl_025190_sample.mp3. Digital audiobook in aax.
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    I've always found it ridiculous that millions upon millions of individuals earn a living online, yet nobody thought about writing a book which teaches those people how to manage their money properly. Therefore, I've decided to roll up my sleeves and write one myself. Why? Simply because I also earn a living on the Internet and have been doing it since, well, since pretty much forever. Aside from that, I'm an economist and this unique (or feel free to call it weird) combination of street smarts and book smarts puts me in a reasonably good position to help people enhance the wealth they've generated online. If you earn a living online in one way or another (as a freelancer, as an online entrepreneur, as an indie author, as a domain investor, as a bitcoin early adopter, as an online trader, as a website flipper, as an online marketer and so on) or at least generate a significant percentage of your revenue online and want to find out how to manage your money wisely, this book is just what the doctor ordered. Throughout my career, I've been involved in a lot of different dimensions of the online world. I've been a freelancer. I've run an outsourcing business. I've invested in domains, offered domain brokerage services and even started an auction platform for domain names. I've started an escrow business, which has been sold to Agreed.com, which was then sold to Escrow.com and which was ultimately sold to Freelancer.com. I even owned three Web hosting businesses. All in all, it's fairly safe to say I've seen the Internet under the hood, so to speak. Frankly, I'd say finding someone who understands those who make money on the Internet better than yours truly would be quite a challenge. No matter what it is you currently do online, chances are I've at least dabbled in it. Those who make money online are a special breed with highly specific wealth management needs and Wealth Management 2.0 finally fills this personal finance void, as I h ungekürzt. Language: English. Narrator: Matt Martillo. Audio sample: https://samples.audible.de/bk/acx0/065369/bk_acx0_065369_sample.mp3. Digital audiobook in aax.
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    Let the boundless energy of the moon be your guide to unlocking your full potential.Humanity has forever had a close relationship with the moon.Poets look at it for inspiration, scientists study its fascinating influence on our planet's functioning, while mystics indulge in discovering its endless mysteries and magical prowess.Anyone who's ever dabbled in magic would know the truth behind the ancient proverb: "The sun sees your body. The moon sees your soul."One can never escape the gazing eye of the moon, for it has the most profound connection to the core of our being. Its energy seeps right through us, and with the right practices and knowledge, we can use it to cleanse us from all the negativity plaguing our lives.It's this inexplicable connection to the moon that has shaped the whole practice of magic throughout the ages, and now, those practices can finally become yours.It is a common belief among mystics that during full moons, cosmic energy peaks, elevating with it the magic powers within each of us - if only we knew how to tap into it. That embodied mystery and infinite power made the moon a witch's best partner ever since the dawn of time.On a full moon, magic is at its strongest, and there's no better time for you to start practicing magic than in the coming year. In 2021, we will get to witness the wonder of four different supermoons, a time during which our connection to the cosmos' energy is strongest and where our magic is most potent.Wherever you currently are in your life's path, know that using the magic of the full moon will only ultimately help you.With simple and easy full moon rituals that are practical and available to whoever you are and whatever you believe in, you can finally start connecting to the hidden realms of moon magic and set yourself on the occult path to manifestation, self-love, and abundance.In Full Moon Magic 2021, you will discover: ungekürzt. Language: English. Narrator: Debbie Soelter. Audio sample: https://samples.audible.de/bk/acx0/232452/bk_acx0_232452_sample.mp3. Digital audiobook in aax.
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    TANK aka Jason Lipp began spittin back in the late 80's...Really the hip hop vibe might be said to have been born in him, as he was the dude breakdancing at the kindergarten recital when everyone else was doin somethin else. You could call that hammin up the spot or jus plain ol releasin energy.. Prolly, it's a combination of both that could predict future events. Spittin his way thru cafeteria lines, cafeteria courtyards, English classes, gym classes, science and math classes, TANK LIPP brought hip hop and rap to the high school arena early on. Shortly after the times when he was breakdancin up homecoming dances handin the DJ copies of CRAIG MACKs flava in YA EAR, and spreadin the sounds of MOBB DEEP's Shook Ones thru the hallways of Oviedo High School- TANK aka JASON LIPP- neighborhood knapsacker set up shop to spread his own flava in peoples ears..After recordin his first joints at the age of 13 with Omar Radwan and Fred Hamilton, TANK LIPP put notice out on the streets that he was serious about trying to do this rap thing. In 1997, after polishin up the craft, and maturing wiser in age- TANK LIPP and OMAR RADWAN ( back then- PHAROAH MAGNETIC) linked up with SUPER SCIENTIFIC aka DANNY D. (who is known today as UNKNOWN SUSPECT).. The three dabbled into there explorations on the techniques 1200 and triton keyboards- each finding a niche that they would later contribute to the group.. The three linked up with other emcees FARENHEIGHT and TONY MILLZ ( now TONE DA REFEREE) - forming a group back then known as TEAM EXTRAVAGANT aka TEAM ELEMENTAL aka FIFTH BREED ( which is now reffered to today as (the CALICO SILO).....TEAM EXTRAVAGANT was an immense concoction of raw talent and energy, whom spent cipher pon cipher strengthening skills day n day out, night afta night.//From rockin porches to libraries, school buses and parties, hallways, bathrooms, closets( literally to enhance mic sounds when recordin), smoked out cars, fields and meadows, beaches, the ciphas reigned hott and magnetic always. In fact, there was soo much energy surroundin this group that it was just assumed that after high school an album was gonna be put out, and just a matter of when..Well, 'when', somehow dissipated, and people moved on to different jobs and work and school, and business ventures and a strong fan base in '98 of local oviedo and orlando heads dissipated as they grew into a group that seemed like it might never reunite...The love for hip hop neva died, but the act of makin music temporarily ceased.....With the acception of freestyles TEAM EXTRAVAGANT stopped puttin out mixtapes and rockin the recordin aspects..In 2003, TANK LIPP and OMAR THE RADWAN aka ( DJ 4th Dynasty aka PHAROAH MAGNETIC established new quarters for the ol TEAM to reunite as the CALICO SILO in ( THE CALICO SILO)..Calico SILO was the name given to the studio rebirthed in 2003..The talents joinin in the festivities were TANK aka JASON LIPP, OMAR THE RADWAN aka DJ 4th DYNASTY,TONY MILLZ aka (TONE DA REFEREE) and WARREN ELLIOT.. EGGED ON by fan members such as EWDEGE STEPLORD aka MIKE EVANS and LOU 'ROCK' - the SILO pumped out an EP/ MIXTAPE sort of GIG. It neva was formally pushed into the public, but the select people that it was passed around to got outstanding reviews....From the ill cuts, to the selection of beats spit on, to the mastery of the rhymes, to the stepping up of new productions on the tritons etc.-it seemed like the raw talent was still there...The team just needed the time to be alloted and with everyones schedules and separate lives being led, a dope revival of an ol school dope HIP HOP movement -TEAM EXTRAVAGANT - was progressively dissipating again...In October of 2003 TANK LIPP lost his father, and the SILO known AS CALICO SILO temporarily shut down.....The spirit of TANKs' dad was moving TANK and 'O, but between grief and movin on and living life there still seemed like little time to make any dreams happen..The dreams were still there and the talks between em were inspirational and motivational..'O set out for a lil hiyadus in Egypt and when he returned TANK LIPP and OMAR 4th DYNASTY RADWAN, teamed back up with SUPER SCIENTIFIC aka UNKNOWN SUSPECT and went to town on the debut TANK album REINCARNATED which was released last APRIL 2007.. That was a meaninful rebirth on many different avenues for all three of us...The album was a very personal debut TANK album that just happened to feature a great amount of contribution from two of the original members of TEAM EXTRAVAGANT- OMAR THE RADWAN and UNKNOWN SUSPECT..The concept was to show that no matter wut struggles life hands you, that there is always a reason to keep pushin thru, whether it's losing your dad in TAKE ME TO MY DAD, or realizing that there are plenty of fish in the sea after a bad breakup in WHORE, or that every day on earth is a gift and blessing we must cherish in TODAYS A GIFT, or just to hang tough and not give up when running in circles with the same problems in RUNNING IN PLACE..Due to the personal and highly emotional at some points -content of the debut of the REINCARNATED album it was probably a little difficult for people to feel the total energy and fire in this dope TEAM EXTRAVAGANT hip hop movement renewed by TANK...Certainly, the deep insights and writing talents of TANK LIPP were appreciated regardless of the fact that it wasn't really an album packed with numerous BANGERS. The beats were hott too, but it lost some of it's HIP HOP banga swagga due to the somber moods of many of the tracks. Nonetheless it put TANK and crew back on the map, respected, and definately gave a chill supply of audio (13 tracks) fa people to sit back and ponder about life and decisions that are made and the consequences of those decisions- and ultimately that there is always a reason to push on-because what doesn't keep u down at the bottom, only makes u stronger when u rise back to the top... Instinctively realizing that REINCARNATED didn't completely captivate everything that TEAM EXTRAVAGANT always stood for over the years, including ill ass scratching, and more rugged hip hop tracks, the immediate release of REINCARNATED left TANK simultaneously back in the booth firin up new tracks...This time the goal was to simultaneously supply an answer to the 'HIP HOP IS DEAD MOVEMENT' that circulated around the nation instigated by artists such as NAS..The debate was heated and many sides, angles, and opinions to the debate were shared by a variety of well known industry artists-NAS, LUDACRIS etc... TANK had his views too, and invigorated with motivation to show OZONE and the rest of the world the natural HIP HOP fire in him, he didn't want to leave the status quo as personal from just REINCARNATED, but he wanted to embrace the status HEATED wit his own hip hop flare-from more hip hop sounding beats, doper hip hop punchlines, more raw flows and hooks, and tighter rhyme schemes combined with an ever progressive TANK sound which can only be understood if u listen to the distinctive voice that is TANK when he raps...There is a BIG POPPA swag to the voice, wit rhyme scheme mucho PUNN-IAN ( BIG PUN) lol, making TANK a pleasurable sound to underground and commercial listening ears. Unfortunately at the time of this albums recording and production phase the CALICO SILO didn't split apart in spirit and friendship, but in actual physical location-AGAIN. Omar moved back temporarily to the middle east getting high tech over in ABU DABI, and UNKNOWN SUSPECT moved out of ORLANDO and out of state to a location that needs to be left unknown :) ..( yeah that's right the beats to hott and u will want to jack him for the production-so the location can't be disclosed :) ..So the goals of giving the project that TEAM EXTRAVAGANT sound with the ill nasty cuts and scratches wasn't possible...Instead of trying to shop a style that we could distinctively create on our own-with our own scratches, there is minimal scratches on this album..Sorry to disaapoint...W
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    Jonathan Stiers, born January 22, in Fayetteville, AR, started singing and playing piano at the age of 7. Raised in Fayetteville, Jonathan remembers his Dad letting him bang on his old '70s' Wurlitzer keyboard. Never having any formal training, Jonathan plays by ear and still doesn't read sheet music to this day. As a teenager, Jonathan dabbled in musical theater, taking chorus roles in Fiddler on the Roof and West Side Story. He also did the county fair talent show circuit, winning second place and competed in the state competition. Jonathan played around on an old beaten-up, wooden upright that his mom bought for him throughout high school, learning various cover songs by ear. It wasn't until later, after moving out on his own that Jonathan bought his own Yamaha upright. After hearing the Tori Amos' album, Little Earthquakes, Jonathan started learning many of those songs and thought he should take a stab at composing. He wrote and handful of songs and recorded them using a Roland 8-track recorder, eventually releasing Spare a Dime. 'You're more likely to find a pay phone that still takes dimes, before you'll find a copy of that CD,' Jonathan jokes. He then spent the next few years writing, composing and trying to find himself as an artist. That lead to the 2006 release, The Player & The Pawn. 'Tonight,' and 'Northern Lights,' two of his most downloaded songs on iTunes are two stand outs from that album. He finally felt he found his style and that these two songs specifically, defined who he was as an artist. Taking a break and going through of a couple relationships in the process lead to his forthcoming release (November 2010), Affliction Addiction. Entirely self-produced, Jonathan explores love and loss with moving piano-driven melodies paired with his trademark layered vocals and ambient sounds.
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    The 2001 album (their fifth together) from trail-blazing Irish harper Máire Ní Chathasaigh, Irish Traditional Musician of the Year 2001, and English virtuoso guitarist Chris Newman. Agallaimh means "discourses" or "dialogues" in Irish. These multi-lingual musical conversations represented an exciting artistic departure for Máire & Chris. From the purest well-spring of Irish music come the 17th century air Gol na mBan san Ár, an exemplar of the stark beauty of the ancient Irish harp tradition, the delightfully melodic newly-discovered 18th century Hidden Pearl arranged by Máire for harp and string quartet and an elaborate set of jigs. Two of the four songs are recorded here for the first time in these versions. One of them, the haunting An Clár Bog Déil, is sung in the free-form, uniquely Irish style of singing known as sean-nós. The Scottish tradition is represented by the dazzlingly virtuosic Beeswing Hornpipe and the driving Highland piping tunes Donald MacLean's Farewell to Oban & Duntroon Castle. From this traditional core, they explore new musical styles and approaches to arrangement. Three Piece Suite, composed by Máire in a traditional style, ends up with a slightly African sound. Other full band arrangements include the irresistably jaunty bluegrass tune Twinkle Little Star and Chris's two compositions, the jazzy Swinging the Lead and the effervescent, Caribbean-influenced Banana Yellow. Special guests: Máire's fiddle-playing sister Nollaig Casey, young Scottish fiddler Ian MacFarlane, mandolinist Simon Mayor, percussionist Roy Dodds and cellist Liz Hanks. REVIEW EXTRACTS... "Lively dance tunes, lovely songs, classic Irish harp music and general purpose fun. Máire, who invented the playing of Irish dance music on the harp, is in fine form and her singing is clear and strong as the wind. Chris is one of the most versatile and just plain fun guitarists around..." Dirty Linen (USA) "This virtuoso duo test the limits of Irish music with touches of calypso, bluegrass and 40s-style swing. Newman's hot guitar licks and Ní Chathasaigh's bell-toned harp are delights" Sing Out (USA) "Sparkling virtuosity and incredible tightness... a rich and breathtaking album" Taplas (Wales) "Perfectly played: exudes warmth, passion and pleasure. The apogee of instrumental music: truly wonderful" Tykes News (England) "Littered with gems: the playing is so good it should be outlawed!" Folk London (England) "Wie immer mit augenzwinkernden Wendungen perfekt gespielt und glasklar gemixt." - FOLKER (Germany) März/April, 2002 "Terrific: brilliant, beautiful, virtuosic ****" The Sunday Tribune (Ireland) BIOGRAPHY... 2008 marks the 20th anniversary of the partnership of England's premier flatpicking guitarist, Chris Newman, and brilliant, innovative harper Máire Ní Chathasaigh (pronounced Moira Nee Ha-ha-sig), Irish Traditional Musician of the Year 2001. Since their début at the 1987 Cambridge Folk Festival, they've toured twenty-one countries with their signature cocktail of dynamic Irish dance-music, moving airs, evocative songs and striking new compositions - spiced with shots of hot jazz and bluegrass as well as Chris's "subversively witty introductions". They released their sixth CD, FireWire, in 2007: "An eclecticism and spirit of adventure that is quite thrilling... Virtuoso playing... bewitching string fantasies and a wonderfully clear and expressive voice' The Times 'Maire Ni Chathasaigh is in a class of her own' The Guardian 'Takes one of the most effete instruments in traditional music by the scruff of the neck and breathes a fire into it's belly' The Irish Times "Brilliant, innovative harping and guitar-playing of astonishing virtuosity and versatility" Songlines "Dazzling virtuosity... Newman's guitar-playing is to be marvelled at... exquisitely delivered... delightful" The Daily Telegraph. It was Chicago-based Live Ireland's Album of the Year. This summer they came together with two of the most important names in Irish music, legendary guitarist Arty McGlynn (ex Van Morrison band, Planxty, Patrick Street, De Danann...) and Máire's sister, virtuoso fiddler Nollaig Casey (ex Planxty), to record a stunning new CD, Heartstring Sessions, which was released in time for an eighteen-date October tour of the UK and Ireland. The CD has just become available on CD Baby! Within the past couple of years Chris and Máire have performed in the USA, Germany, Italy, France, Switzerland, Austria, Australia, New Zealand, Japan, Denmark, Holland, Belgium, Ireland and the UK, additionally, Máire gave a 16-date nationwide lecture tour of the USA in April 2006 and prestigious solo recitals at the 2007 European Harp Symposium and the 2005 World Harp Congress. Broadcasts included a November 2007 concert televised by the Irish-language TG4 TV, a Christmas 2005 concert in Brindisi, televised by Rai Uno, the Italian state broadcaster, and appearances on Lyric FM, Ireland's premier classical music station (for which Máire was Artist of the Week) and BBC Radio 4's Woman's Hour. They're featured on Irish rock legend Rory Gallagher's posthumous album Wheels within Wheels (BMG, 2003) and Polygram USA's major 1998 Celtic harp album and associated PBS TV special Celtic Harpestry. Máire is harp/voice soloist with the New English Chamber Orchestra and the Choir of New College Oxford on John Cameron's Missa Celtica (Erato Disques, Paris). The Goldcrest film Driftwood features her singing, and her harping and compositions feature with other Celtic music luminaries on Dan ar Braz's Gold Disc-awarded album Finisterres (Sony France). Máire is 'the greatest Celtic harper of our age' (Live Ireland), in 2001 receiving Irish music's most prestigious award, that of Traditional Musician of the Year - Gradam Cheoil TG4 - 'for the excellence and pioneering force of her music, the remarkable growth she has brought to the music of the harp and for the positive influence she has had on the young generation of harpers'. She began to play the harp at the age of eleven. A West Cork background steeped in the oral tradition led her, while still a teenager, to develop new techniques that made it possible for the first time to play traditional music on the harp in a stylistically accurate way. She won the All-Ireland and Pan-Celtic Harp Competitions several times and in 1985 recorded the first harp album ever to concentrate on traditional Irish dance music, The New-Strung Harp - 'an intensely passionate and intelligent record and a milestone in Irish harp music' (The Irish Examiner). Her approach has been profoundly influential wherever in the world lever harps are played - "a single-handed reinvention of the harp". Two volumes of her arrangements have been published: The Irish Harper Vols. I and II. She contributed two articles about the Irish harp and modes in Irish music to the Companion to Irish Traditional Music (Cork University Press) and is profiled in Celtic Women in Music (Quarry Books, Canada) 'Her work restores the harp to it's true voice.' (The Irish Times) Chris began to play guitar at the age of four and at fourteen played his first paid gig in a folk club. He dabbled in the jazz scene in his late teens, playing with and learning from people like Stephane Grappelli and Diz Disley and honing his skills as a gifted improviser. After a brief foray into the commercial world that resulted in a silver disc for producing The Oldest Swinger in Town, he resolved to concentrate on his first love - the acoustic guitar. In addition to his work with Máire, Chris toured until 1997 as a member of Boys of the Lough in North America, Sweden, Finland, Norway, Estonia, Denmark, China and Italy. A prolific composer, arranger and record producer, he has been principal guitar tutor for Newcastle University's Folk B.Mus. Degree course since it's inception. His book of guitar compositions and arrangements Adventures with a Flatpick was published in 2001. His 1998 solo CD Fretwork was "a stunning and stylistically-varied album, h
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