49 Results for : muttered
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The Roomies Blow off Some Steam: An Erotic Tale of Barely Legal Lesbian Sex , Hörbuch, Digital, ungekürzt, 13min, (USK 18)
The exams have been particularly brutal this semester for the gals and they needed to find a way to relieve some of the pent-up stress before they blew a gasket. Tarin, the wild one, talked her roommate in to playing hooky for the day so she could teach her own lesson. Boy oh boy, was Patti glad she did, what she learns won't get her a degree, but what it will do is put a big smile on her face. Priceless! Warning: This audiobook contains very explicit descriptions of barely legal lesbian sex. Only mature adults who will not be offended by such content should read this story. Here is a preview: Tarin stood and licked her lips slowly, and she unbuttoned the rest of her top like she was a stripper putting on a show for a client. She dropped her top to floor and stared at Patti with a smirk. Tarin swayed her hips back and forth as she danced around the kitchen table. "I know a better way a girl can make another girl feel special, sees that it is just us after all." "How would you do that?" Patti muttered as she rubbed and pinched her clit. Tarin smiled and a soft moan escaped Patti's lips. "Well let me see. I am sure I can think of a few things." Tarin swayed her hips in front of her, and she watched as Patti continued to rub her clit. "You could be a doll and unzip my shorts. They are so tight and if my pussy doesn't get some attention soon, I think I might explode." Tarin continued to dance for Patti and she unclasped her bra then let it fall to the floor. "Or I could take them off for you instead. This way, I could turn around, bend over and give you a very good look at my pussy. Would my little sex kitten like that? I know the boys would. Boys like it when I'm dirty. They love it when I shake my ass for them. What about you Patti?" ungekürzt. Language: English. Narrator: Jennifer Saucedo. Audio sample: https://samples.audible.de/bk/acx0/025533/bk_acx0_025533_sample.mp3. Digital audiobook in aax.- Shop: Audible
- Price: 9.95 EUR excl. shipping
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Cassander of Macedon: The Life and Legacy of the King Who Ruled Greece After the Death of Alexander the Great , Hörbuch, Digital, ungekürzt, 97min
In 323 BC, Alexander the Great was on top of the world. Never a man to sit on his hands or rest upon his laurels, Alexander began planning his future campaigns, which may have included attempts to subdue the Arabian Peninsula or make another incursion into India. But fate had other plans for the young Macedonian king. One night, while feasting with his admiral Nearchus, he drank too much and took to bed with a fever. At first, it seemed like the fever was merely a consequence of his excess, and there was not much concern for his health, but when a week had elapsed and there was still no sign of his getting better, his friends and generals began to grow concerned. The fever grew, consuming him to the point that he could barely speak. After two weeks, on June 11, 323 BC, Alexander the Great, king of Macedon, hegemon of the League of Corinth, king of kings, died. On his deathbed, some historians claim that when he was pressed to name a successor, Alexander muttered that his empire should go “to the strongest”. Other sources claim that he passed his signet ring to his general Perdiccas, thereby naming him successor, but whatever his choices were or may have been, they were ignored. While the generals all subscribed to spreading Greek culture, they also had the loyalty of their own soldiers at their backs, and they would tear each other apart in a vicious internal struggle that lasted almost half a century before four factions emerged victorious: Macedonia; the Seleucid Empire in the East; the Kingdom of Pergamon in Asia Minor; and the Ptolemaic dynasty in Egypt. During the course of these wars, Alexander’s only heir, the posthumously born Alexander IV, was murdered, extinguishing his bloodline for ever. Cassander was a Macedonian general who was involved in the Diadochi Wars, and for a time, it looked like he was going to be the biggest winner among the Macedonians. Cassander became the king of Macedon, had direct influence over most of Southern Greece, ungekürzt. Language: English. Narrator: Colin Fluxman. Audio sample: https://samples.audible.de/bk/acx0/128459/bk_acx0_128459_sample.mp3. Digital audiobook in aax.- Shop: Audible
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Grandma Got Gangbanged by the Reindeer (eBook, ePUB)
It was Christmas eve in Norway. A light snow was falling. The sky was turning dark with ominous, threatening clouds. Grandma said that she was just going out to use the outhouse and that she’d be back in 5 minutes. 5 minutes turned into an hour. Where could grandma have gone? And what are those strange noises off in the distance? Do YOU believe in Santa? Excerpt: What puzzled him was that there was no struggle. Surely if an animal would have set upon her, she would've tried to fight it off. Right? As he followed them, the tracks became fainter and fainter as the newly-fallen snow covered them. Soon, there'd be no trace of her. He shivered at that thought. Todd gave no thought to his own safety, he just stuck his head down and prayed to whatever God would listen for Sylvia to be safe. He feared, however, that this wouldn't be a very joyous Christmas. Not without grandma. "Geez, how far did she go?" Just as the tracks grew too dim to follow, he saw a light up ahead. Squinting, he realized that he was looking at a cave. His heart leapt in his throat. Grandma! It had to be! She was safe! He started to call out for her, but stopped cold when he heard a moan. Oh God, she's still alive. But he was suddenly frozen in place. He couldn't will his feet to move no matter what he tried. At first, he thought the moans were of pain, but as he listened, he realized that they were something else. Grandma? Maybe it wasn't her? That uprooted his feet and he found himself stumbling in the dark toward the lighted cave where he came face to face with... Santa Claus. "What the fuck?" He muttered as he took in the scene of debauchery that he was witnessing.- Shop: buecher
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Fucked By The Horny Unicorn (eBook, ePUB)
Jenna stopped suddenly in the middle of the road when she saw something impossible. A unicorn! Of course she didn’t have her camera at the ready. But when it bounded into the forest, she had to make a choice. Follow it or forget she ever saw it. Excerpt: Bringing my car to a stop I couldn't believe what I was seeing. In the middle of the road stood a pure, sapphire unicorn. Rubbing my eyes and pinching myself, I watched this large, beautiful animal look into my car with a curious expression. I frantically searched around for a camera so I could at least have proof I saw unicorn. But with my luck, I couldn't find my camera. Maybe I could get something else that would prove that this was real instead of a dream. Maybe some hair. That was it! Should I dare approach him? As soon as I stepped outside my vehicle, the unicorn pranced out into a meadow. Not believing what I was seeing, I followed. "How in the world am I going to prove that you exist?" I muttered to myself, feeling foolish since no one was around. He allowed me to approach him. I wasn't frightened, but rather in awe of what I was seeing. It may have been dangerous to approach such a beast, but I had to prove it was alive, even if it was just for just my own curiosity. Stepping forward, the unicorn sniffed my clothes and looked into my eyes. I felt a connection to the creature and wanted to please him. I couldn't explain it, but that's how I felt. When the unicorn tore off my shirt, I just stood there and shivered. I couldn't believe this was happening and didn't know how to handle it. Tentatively, I touched his muzzle and felt his soft nose. I felt a strong urge overcome my senses and found myself ripping off my bra, bearing my breasts to him. His soft muzzle rested on my pert breasts as he licked at my nipples. Shuddering in pleasure, I shoved them in his face. He nuzzled and sucked on one of my breasts as I stood there, shuddering with pleasure. He switched to the other one and sucked it into his large mouth as his tongue lashed my nipple. I panted as excitement filled me. My hand slid down to my pants and slid underneath to my panties as I touched my soft folds and excited clit.- Shop: buecher
- Price: 3.99 EUR excl. shipping
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The Macaw Muttered (Another Fine-Feathered Mystery)
The Macaw Muttered (Another Fine-Feathered Mystery): ab 3.99 €- Shop: ebook.de
- Price: 3.99 EUR excl. shipping
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Muttered Musings and Other True-to-Life Mix Ups
Muttered Musings and Other True-to-Life Mix Ups: ab 9.49 €- Shop: ebook.de
- Price: 9.49 EUR excl. shipping
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How Do You Feel About Long Goodbyes
I don't know if Redcoat Turncoat's debut CD How Do You Feel About Long Goodbyes? is actually a concept album about a bunny rabbit and it's hunter, but I like to think that it is. The gently strummy 'The Ballad of Baby Bunny'-with it's muttered, Kurt Wagner-ish vocals-obviously fits the plot, and the ominous 'The Collector,' with it's slashing chorus of 'I'm gonna hunt you down' (voiced by Kusikia's Nsayi Matingo), sounds like it's sung with rifle in hand. Elsewhere, there's Kinks-y pop tunes, meandering guitar ballads, and a 12-minute epic in the form of the shoegazey 'OK.' It's a weird and charming record, with all the different pieces fitting together like a hodgepodge, and it's best moments are the simplest ones that fit into the overall theme. It's almost like a sloppier, homegrown version of the Magnetic Fields' highbrow tunesmithing, and it leads directly to the very important question: Well, what do these guys sound like live? Tonight's the perfect opportunity to find out. NED LANNAMANN Portland Mercury.- Shop: odax
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Forever Sunset
FOREVER SUNSET - JADCD 1116 An anthology of works by Australian composers in a wide range of styles and musical groupings ranging from mandolin & strings, tenor recorder & piano, voice with flute & piano, through mandolin ensemble, solo piano works and works for brass ensemble and duos for trumpet & piano. ROBERT ALLWORTH (b.1943) Track 1. FOREVER SUNSET (2004) for Mandolin-Violin-Viola and 'Cello FOREVER SUNSET takes ideas from the poem of the Lotus Eaters by Lord Alfred Tennyson. The music is full of colouristic effects and is an evocative portrayal of a Sunset. IAN SHANAHAN (b.1962) Track 2 HARMONIA (in PP) (2001) for Tenor Recorder and Piano harmonia [Greek] = 'a fitting together' = compositio[nis] [Latin] = 'a musical composition' (i.e. a harmonious, well-structured assemblage of sounds/silences), and - of course - 'harmony' = a homophony = chorale, recitative, ..., pp [Italian abbreviation for 'very quiet'] = Peter Platt = the Perfect Professor. To 'Prof ... a Persistence of (Pneuma [Greek]) = 'wind' and 'spirit': "Funereal yet serene - a dignified mourning" (of surprising starkness and textural simplicity), for one who Plucks Psalteries in Pleromatic Paradise... Lest We Forget. Harmonia (in PP), written in memory of Professor Peter Platt, employs none of my typically abstract, complex paracompositional schemata: rather, I approached this concise piece much more humbly - in a way that I imagine 'Prof himself might have quietly begun to sketch out one of his own modest works. BETTY BEATH (b.1942) Tracks 3 and 4 MEETING IN THE ROAD and THE SHE WOLF Meeting in the Road and The She-wolf are the 3rd and 4th songs from the cycle for voice, flute and piano titled POINTS IN A JOURNEY. This cycle of five songs was commissioned by North Adams State College, Massachusetts. The First Performance took place during the period of my residency at the College on the 7th October, 1987. Meeting in the Road, the setting of a text by an anonymous Chinese poet of the 1st Century BC touches on a universal theme...the brief meeting which somehow touches us in a way we shall always recall. In writing from a distance of 2,000 years he describes the place where he lived as 'easy enough to find, easy to find and difficult to forget'. In a narrow road where there was not room to pass My carriage met the carriage of a young man. And while his axle was touching my axle in the narrow road, I asked him where he lived. The place where I live is easy enough to find, Easy to find and difficult to forget. The gates of my house are built of yellow gold, The hall of my house is paved with wihte jade, On the hall table flagons of wine are set, I have summoned to serve me dancers from Han-tan. In the midst of the courtyard grows a cassia tree, And candles on it's branches flaring away in the night. The She-wolf, with words by the Queensland poet, Jena Woodhouse, describes her passionate relationship with her mother. My mother gave me tempest strife and storm, Flickerings of wisdom lit from within by fires of ancient lore And left the imprint of her Celtic soul A sense of something dangerous and passionate It was she who snarled defiance at the poverty that menaced her And hurled her gypsy curses in the teeth of bitter need, And held her head still higher before strangers And damned the world for misery and greed, It was she who took in homeless dogs to feed and care for, And sad old men who drank too much and died And she who'd weep her grief at each bereavement, The nightmare visions crowding in her eyes, And chide her children for their trespasses, And toil until she dropped to give them bread, And then in feral rage devour them, And bundle them to bed with growls and muttered benedictions, And watch them grow with pride That flashed like lightning in her tawny gaze, And give them heart to sing And pit their strength against the storm. ERIC GROSS (b.1926) Tracks 5 and 6 KLAVIERSTÜCK 1V op.225 (1998) and PLAYFUL SALLY op.300 (2006) "KLAVIERSTÜCK IV", one of a series of five Klavierstücke, is subtitled "quasi un' improvvisazione" and is meant to convey, within a formal structure, liberal amounts of contrasting tempi, dynamics, phrasing and moods, such as would be found in an improvisation. It is also intended to give the performer the opportunity to contribute creatively to the realization of the music in a free and unrestricted manner. After the opening statements, which alternate emphatic and cantabile phrases, a gentle section gives way to semiquaver phrases which increase in volume and speed and lead to several climaxes. These semiquaver phrases appear in various inversions and guises, eventually leading back into a gentler melodic section, previously heard soon after the beginning. A cadenza builds up to a strong climax after which the work is brought to it's close with a succession of pianistic statements.'Klavierstück IV' was originally written for Katarina Kroslakova as a gesture of thanks for participating in an earlier recording of a composition of mine for mandolin and piano. "PLAYFUL SALLY" is dedicated to it's performer Sally Mays because of her strong and generous support of Australian composers. This composition is a lighthearted tribute to her outstanding musicianship and technical excellence. After commencing mischievously in the style of a two-part invention, the piece playfully employs cross-rhythms and unexpected harmonic aberrations to mislead performers and listeners alike. EG. ANN CARR-BOYD (b.1938) Track 7 FOXTROT (1993) FOXTROT was commissioned by Adrian Hooper, Director of the Sydney Mandolins, to be performed by his ensemble. The music is another dance form piece and is meant as a companion piece to Fandango, one of Ann Carr-Boyd's most popular compositions, which was also written for the Sydney Mandolins. ERIC GROSS Track 8 HABAÑERA-SERENADE op.31/4 (1960-2007) This composition, originally for Violin and Piano, was written as a study in an 'Habañera' style of composition and has also been transcribed for Piano alone. This version for Soprano Saxophone and Piano was arranged in 2007 especially for the two performers on this recording, Berndt Klinke (Soprano Saxophone) and Idil Ugur ( Piano) for a performance in Germany. The music relies on it's obvious melodic appeal based on it's ternary form and it's minor-to-major key- transformation. EG. DEREK STRAHAN (b.1935) Track 9 SEISMIC MURMURS for Solo Piano (1992) - Derek Strahan - piano This is the closing section from Pt. 1 of Atlantis Variations for Solo Piano, one of several works written to develop material for inclusion in a proposed cycle of 4 operas suggested by Plato's account of the rise and fall of Atlantis. A 3-note whole tone figure heard as a bass rumble at the outset and continuing, represents the trident of the Greek sea god Poseidon, by which he controlled the movement of wind and tides. The motif for Poseidon is immediately heard over it followed by a more elegiac theme for his consort as ruler of Atlantis, the native woman Cleito. A monumental theme for their son Atlas follows. Atlantis and the Atlantic Ocean are named after him. The responsibility of rule over his expanding empire is figuratively implied in the image of Atlas bearing the world on his shoulders. These and other motifs form the basis for passages signifying the seismic instability of the area in the Atlantic known as Dolphin's Ridge where Atlantis is placed by some writers. Heraldic fanfares depicting the Golden Age of Atlantis conclude this section. D.W.S. Recording, New Music Theatre, 8/7/2002. The complete work "Atlantis Variations" can be heard on the Revolve CD of that title RDS009. DANIEL WILLIAMS (b.1935) Tracks 10 and 11 DEO GRATIAS (2007) and FANFARE FOR HORROCKS (2007) Fanfare for Horrocks and Deo Gratias were written in 2007 by trumpeter and composer, Daniel Williams. Williams took on the position of Head of Bands at the The King's School in 2006, and it was there these compositions emerged. Deo Gratias was commissi- Shop: odax
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