57 Results for : underline

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    This little book explores the projective nature of consciousness by using various rides at Disneyland to explain how awareness works as a virtual simulator. See the following excerpt for a glimpse: Although it was initially billed as a scary ride, the Haunted Mansion turned out to be quite tame. However, there was one segment in the ride where a friend of mine got the creeps, since he assumed that the head (sans a body) within the crystal ball was a real person. He hadn't realized how far holographic technology had come at that point and couldn't imagine that it was merely a vaporous projection. I bring up these three examples because they underline something fundamental in our assessment of the consciousness of others. We can be easily duped. Not only can we impute conscious intentionality onto machine operated mannequins that lack it, we can even do it photographic film. Yet phenomenologically speaking, our own experience at the time of interacting with an audio-animatronics seems essentially the same as when we talk to certain humanoids. In other words, that which we believe is conscious turns out on closer inspection to be unconscious, at least in the commonsense ways that we use such terms in our day to day lives. But we don't need to go Disneyland to discover this, since we already have firsthand experience of innumerable conflations when we fall asleep and dream. In a strong dream, so many characters come alive and we interact as if each of them is real. Only when we wake up do we acknowledge that everything that occurred in the dream was simulated by us. We are, in sum, dreaming ourselves in various guises, even if we may be deceptively tricked to believe otherwise. Such is the confusing nature of our own self-awareness that we even objectify our own personas in various garbs and believe them to be ontologically apart from our own neural projections. ungekürzt. Language: English. Narrator: Brandon Hearnsberger. Audio sample: https://samples.audible.de/bk/acx0/068513/bk_acx0_068513_sample.mp3. Digital audiobook in aax.
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    • Price: 9.95 EUR excl. shipping
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    A funny, expansive, affirming story with a powerful message of self-determination for young kids: No one can label us if we do not allow ourselves to be labeled. Our identities are ours to choose and to live. Between his opening greeting and the bookend closing page on which he stalks away after taking no questions, Gato wants to make one thing perfectly clear: Although he has four legs, two ears, and a long, long tail, the word cat does not define him. His identity is his alone to describe and determine. With the help of Danica Novgorodoff's laugh-out-loud illustrations, he takes us on a tour of his adventures, accomplishments, and daily activities that makes mincemeat of our first impressions. He wears a sweater and a leash, so is he a dog? He runs in pastures, so is he a horse? He likes flowers, so is he a bee? He swims, so is he a duck? He has flown in airplanes and ridden in subways, so is he a person? Maybe he's all those things, but what he truly is, he wants us to know, is Gato. To underline the story's message of empowerment and self-identity, the back cover and backmatter include photos of the real Gato (Winter Miller's cat) doing everything he claims and more. Signs on walls, headlines in newspapers, New Yorker cartoon homages, and sight gags on every page reward repeated readings and will make this book the first one that parents reach for at bedtime.
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    • Price: 10.95 EUR excl. shipping
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    “As I hurtled through space, one thought kept crossing my mind - every part of this rocket was supplied by the lowest bidder.” (John Glenn)Today the Space Race is widely viewed poignantly and fondly as a race to the Moon that culminated with Apollo 11 “winning” the Race for the United States. In fact, it encompassed a much broader range of competition between the Soviet Union and the United States that affected everything from military technology to successfully launching satellites that could land on Mars or orbit other planets in the Solar System.In fact, the Soviet Union had spent much of the 1950s leaving the United States in its dust. In 1960, when Eisenhower’s administration began planning and funding for the famous Apollo program that would land the first men on the Moon in 1969, the Soviet Union was already thinking further ahead, literally. In one of the worst kept secrets of the Space Race, the Soviet Union launched two probes, Korabl 4 and Korabl 5, toward Mars in October 1960.With the opening of a new decade, the Soviets reinforced their Space Race lead in a big way. On April 12, 1961, the world watched as the Soviets scored two major victories: they sent the first human being into space and made that man the first to orbit the Earth. Yuri Gagarin's success seemed to both solidify the Soviet's lead in the Space Race and underline the importance of scientific achievements in the race for geopolitical prestige. Even on the other side of the world, the United States could not deny the significance of the Vostok mission. President Kennedy graciously congratulated the Soviets, while privately conceding that it would be impossible for the United States to match Soviet space achievements for some time. At the same time, American policymakers also understood the depth of this latest defeat in the Space Race.On February 20, 1962, John Glenn orbited the Earth, nearly a year after Gagarin’s orbit, and he remains best known for that hi ungekürzt. Language: English. Narrator: David Bernard. Audio sample: https://samples.audible.de/bk/acx0/160690/bk_acx0_160690_sample.mp3. Digital audiobook in aax.
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    • Price: 9.95 EUR excl. shipping
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    Microsoft Word - Customizing the Quick Access Toolbar Equations Underline Styles Insert Menu Table Page Layout Formatting a Document Edit Manuscript and Preparation of an eBook for Publishing: ab 1.49 €
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    • Price: 1.49 EUR excl. shipping
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    Momentum Crashes - Structures and characteristics that underline the periods of poor momentum performance: ab 14.99 €
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    • Price: 14.99 EUR excl. shipping
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    Through a repertoire of Consort Songs for five violas and countertenor, the Céladon Ensemble tries to underline the obvious artistic connections between the music of English Renaissance and contemporary music. This parentage, this harmonic, rhythmic and poetic logic, opens a whole field of exploration into sound identity and tradition.
    • Shop: odax
    • Price: 17.28 EUR excl. shipping
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    Deutsche Grammophon ist seit je her die Heimat der großen Pianisten. Diese Edition präsentiert auf acht CDs 16 sorgfältig ausgewählte Klavierkonzerte, die allesamt in der Hauptstadt der deutschen Musikszene, in Berlin, eingespielt wurden. Begleitet von den Berliner Philharmonikern und der Staatskapelle Berlin zeigen die absoluten Großmeister der 88 Tasten Géza Anda, Martha Argerich, Daniel Barenboim, Semyon Bychkov, Emil Gilels, Katia &amp, Marielle Labèque, Maurizio Pollini &amp, Yundi u.a. ihr facettenreiches Können.Ebenso beeindruckend wie die Liste der Pianisten sind die herausragenden Dirigenten Abbado, Jochum, Nelsons, Ludwig, Bychkov, Ozawa &amp, Kubelik, die durch das breite Repertoire führen: Mit Konzerten von Beethoven, Brahms, Chopin, Liszt, Mozart, Prokofiev, Schumann und Tschaikowsky wird die Welt der Klaviermusik gleichermaßen für Einsteiger wie für Enthusiasten ausgebreitet.Begleitet wird die aufwendig gestalte Box von einem informativen Booklet.Titanic performances that underline the structural integrity of these massive works, but also alive to their poetic heart. - GRAMOPHONE on Gilels[...] these are performances on a grand scale, yet wonderfully fluent, charged with an infectious energy and effortless poise. - THE GUARDIAN on BarenboimThe result is electrifying. - FANFARE on Pollini
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    • Price: 35.68 EUR excl. shipping


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