12 Results for : anarchistic

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    Erscheinungsdatum: 11/2011, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Anarchism - Protests - Upbringing, Titelzusatz: Anarchistic implications in student protests and upbringing, Autor: MiliSa, Zlatko, Verlag: LAP Lambert Academic Publishing, Sprache: Englisch, Rubrik: Erziehung // Bildung, Allgemeines, Lexika, Seiten: 252, Informationen: Paperback, Gewicht: 392 gr, Verkäufer: averdo
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    • Price: 66.99 EUR excl. shipping
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    A classic held as one of the greatest works of 19th Century fiction. The novel is thought of as a reply to the growing cultural divide and alienation between liberals of the 1830s/1840s and the rapidly growing nihilist movement. These two philosophies were contrasted with the conservative Slavophiles, who believed that Russia's greatness lay in its traditional spirituality... The main characters reflect a youthful rebellious and anarchistic thought, therefore confronted with their traditional fathers. The character of Bazarov, nasty and anarchistic, remains one of the great creations of the literary world. Language: English. Narrator: James Holt. Audio sample: https://samples.audible.de/bk/edel/013061/bk_edel_013061_sample.mp3. Digital audiobook in aax.
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    Anarchism - Protests - Upbringing ab 78.99 € als Taschenbuch: Anarchistic implications in student protests and upbringing. Aus dem Bereich: Bücher, Schule & Lernen,
    • Shop: hugendubel
    • Price: 78.99 EUR excl. shipping
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    Still reeling from the alien plagues that killed two-thirds of the planet's population, humanity now confronts the most deadly enemy Earth has ever known - the giant man-eating Chtorr. Lieutenant James McCarthy has grown to manhood under the shadow of the terrifying invasion of the Chtorr. As a student, he learned all he could to understand their alien behavior. As a Special Forces commando, he made violent first contact. Now this battle-hardened warrior faces a profound challenge. Captured by an anarchistic band of men and women known as renegades, McCarthy must secretly gather vital information while fighting indoctrination into their cult - which serves and worships the Chtorr. ungekürzt. Language: English. Narrator: John Pruden. Audio sample: https://samples.audible.de/bk/adbl/017854/bk_adbl_017854_sample.mp3. Digital audiobook in aax.
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    The events of July 19, 1878, marked the beginning of what became known as the Lincoln County War and catapulted Susan McSween and a young cowboy named Henry McCarty, alias Billy the Kid, into the history books. The so-called war, a fight for control of the mercantile economy of southeastern New Mexico, is one of the most documented conflicts in the history of the American West, but it is an event that up to now has been interpreted through the eyes of men. As a woman in a man's story, Susan McSween has been all but ignored. This is the first book to place her in a larger context. Clearly, the Lincoln County War was not her finest hour, just her best known. For decades afterward, she ran a successful cattle ranch. She watched New Mexico modernize and become a state. And she lived to tell the tales of the anarchistic territorial period many times. ungekürzt. Language: English. Narrator: Karen Commins. Audio sample: https://samples.audible.de/bk/acx0/009430/bk_acx0_009430_sample.mp3. Digital audiobook in aax.
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    A bleak wind chord of E flat minor opens Richard Wagner’s Götterdämmerung. It establishes the dominant atmosphere of the piece from its first bar: twilight, a deceptive half-light, prevails. Shadowy figures stumble towards the abyss. The last evening of the Ring is one of plotting and betrayal, of ominous oaths, a chilling lust for power, abuse and humiliation – and, also, of a superbly staged apocalypse, when the beings and things destined for destruction shine brightly for one last time. The leitmotivs and thematic ideas from throughout the whole tetralogy recur in Götterdämmerung, intensified and woven into a musical web from which there can be no escape. Everything appears to fit together fatally with everything else. There is nothing more to be done. The net of catastrophe is knotted too fatefully for that, both musically and dramatically. When Wagner sat down to write a prose outline of what turned out as the last part of the Ring, he called it Siegfried’s Death. That was in the year of revolutions, 1848. The new title, usually translated as Twilight of the Gods, came later (Bernard Shaw called it Night Falls on the Gods but that never caught on). All the threads of the drama run now towards the hero’s fall. The death of Siegfried precipitates the final dissolution of the gods’ world, set in train by Wotan when he impiously tore a branch from the World Ash-Tree, and to which the god was already resigned long ago, before he knew of Siegfried’s conception. The natural order has been diverted from its proper course, and the last hope of righting it rests with Siegfried – the human being of the future. He knows no constraints, no fear of violence moderates his thirst for action, he is naïve and spontaneous. To Wagner he represented Utopia, Thomas Mann described him as “harlequin, god of light and anarchistic social revolutionary”, Shaw as “a totally unmoral person, a born anarchist, the ideal of Bakunin, an anticipation of the ‘overman’ of Nietzsche”. Yet he is unfree, nevertheless: he must run on the rails laid by Wotan and thus he is the instrument (one might say, war machine) of the failing power of the old gods as they wait for annihilation. The truly new, however, as Wagner saw it, can only rise from the ashes of the old. So Siegfried too must die, and Brünnhilde, magnanimous in forgiveness, assumes the roles of tragic heroine and redeemer by her self-sacrifice.
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    • Price: 24.72 EUR excl. shipping
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    A bleak wind chord of E flat minor opens Richard Wagner’s Götterdämmerung. It establishes the dominant atmosphere of the piece from its first bar: twilight, a deceptive half-light, prevails. Shadowy figures stumble towards the abyss. The last evening of the Ring is one of plotting and betrayal, of ominous oaths, a chilling lust for power, abuse and humiliation – and, also, of a superbly staged apocalypse, when the beings and things destined for destruction shine brightly for one last time. The leitmotivs and thematic ideas from throughout the whole tetralogy recur in Götterdämmerung, intensified and woven into a musical web from which there can be no escape. Everything appears to fit together fatally with everything else. There is nothing more to be done. The net of catastrophe is knotted too fatefully for that, both musically and dramatically. When Wagner sat down to write a prose outline of what turned out as the last part of the Ring, he called it Siegfried’s Death. That was in the year of revolutions, 1848. The new title, usually translated as Twilight of the Gods, came later (Bernard Shaw called it Night Falls on the Gods but that never caught on). All the threads of the drama run now towards the hero’s fall. The death of Siegfried precipitates the final dissolution of the gods’ world, set in train by Wotan when he impiously tore a branch from the World Ash-Tree, and to which the god was already resigned long ago, before he knew of Siegfried’s conception. The natural order has been diverted from its proper course, and the last hope of righting it rests with Siegfried – the human being of the future. He knows no constraints, no fear of violence moderates his thirst for action, he is naïve and spontaneous. To Wagner he represented Utopia, Thomas Mann described him as “harlequin, god of light and anarchistic social revolutionary”, Shaw as “a totally unmoral person, a born anarchist, the ideal of Bakunin, an anticipation of the ‘overman’ of Nietzsche”. Yet he is unfree, nevertheless: he must run on the rails laid by Wotan and thus he is the instrument (one might say, war machine) of the failing power of the old gods as they wait for annihilation. The truly new, however, as Wagner saw it, can only rise from the ashes of the old. So Siegfried too must die, and Brünnhilde, magnanimous in forgiveness, assumes the roles of tragic heroine and redeemer by her self-sacrifice.
    • Shop: odax
    • Price: 31.66 EUR excl. shipping
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    Elliot Alderson (Rami Malek) is a computer expert who suffers from social anxiety disorder, clinical depression, and delusions. A cybersecurity engineer by day and a hacker by night, Elliot is recruited by the mysterious Mr. Robot (Christian Slater) to join an anarchistic hacktivist group whose main goal is to wipe out everyone's debt records. Carly Chaikin, Portia Doubleday, Martin Wallstrom also star in this timely TV series. 10 episodes on 3 discs. 8 hrs. Widescreen, Soundtrack: English.
    • Shop: odax
    • Price: 39.66 EUR excl. shipping
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    Elliot Alderson (Rami Malek) is a computer expert who suffers from social anxiety disorder, clinical depression, and delusions. A cybersecurity engineer by day and a hacker by night, Elliot is recruited by the mysterious Mr. Robot (Christian Slater) to join an anarchistic hacktivist group whose main goal is to wipe out everyone's debt records. Carly Chaikin, Portia Doubleday, Martin Wallstrom also star in this timely TV series.13 episodes on 4 discs. 10 1/2 hrs. Widescreen, Soundtrack: English.
    • Shop: odax
    • Price: 30.39 EUR excl. shipping
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    Elliot Alderson (Rami Malek) is a computer expert who suffers from social anxiety disorder, clinical depression, and delusions. A cybersecurity engineer by day and a hacker by night, Elliot is recruited by the mysterious Mr. Robot (Christian Slater) to join an anarchistic hacktivist group whose main goal is to wipe out everyone's debt records. Carly Chaikin, Portia Doubleday, Martin Wallstrom also star in this timely TV series.13 episodes on 4 discs. 10 1/2 hrs. Widescreen, Soundtrack: English.
    • Shop: odax
    • Price: 37.72 EUR excl. shipping


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